Susanna Marcomeni

The story of a young Calabrian widow who initially reclusive, must come to terms with her loss and live her life.

The story of a disillusioned young woman who, in the middle of the 19th century, escapes a poor and deprived childhood by finding freedom "granting her grace" to rich lovers captivated by her extraordinary beauty. Violetta is a kept woman. She does not know true love, the kind that makes the heart beat faster, but only fleeting, mercenary loves that, on the contrary, harden the soul.

Muhammad Yunus, Nobel Peace prize winner, is known in the whole world as the banker of the poor, because he pioneered and tested a funding system in Bangladesh: by lending little sums of money to the less well-off with no interest, and returning it by installments gained with their work, people are able to get free from extreme misery. Thus, what can happen if three boys, just graduated, who live in Naples, try to import this funding system that subverts every economic rule?

In a straightforward yet unexceptional rendering of the life and loves of Alberto (Ben Gazzara), a writer/director approaching the hill though not yet over it, director Alberto Bevilacqua has used his own experiences to fashion a conventional tale about a search for the "perfect woman." His mettlesome neighbor Luisa (Lina Sastri) just will not leave him alone; she was the reason why he ended his marriage to Maura (Claudia Cardinale), but Alberto considers their affair dead and buried. Recently, an anonymous "dream woman" has been calling him for some seductive phone exchanges. As he searches out the identity of the mystery caller he is also distracted by Luisa who starts to insinuate herself back into his affections. Sooner or later, Alberto will just have to decide how to handle his love life, which in the end may only be mesmerizing to himself alone.

The friendship between two high school friends is tested when they are forced to separate because of university.

The story tells of the marital misadventures of Tiziana and Tonino, a couple now in crisis whose tired ménage explodes when the woman receives a phone call from an ex, who proposes to meet again at the "Roxy Bar". Tiziana decides to present herself with a new look and a showy red wig, to the point that when she unexpectedly runs into her husband, the latter does not recognize her and begins to court her.

Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release.

March 8th, 1972. Maria Silvia Spolato is the first woman to come out as a lesbian in Italy publicly. This act of courage will turn her life upside down.

At a farmhouse, a large family cooks mountains of food for the next day's engagement party for Silvia and her city fiancé, Angelo. Her parents feud about infidelity; an aging salesman who rents a cottage from them arrives with a young French woman; in Bologna, Angelo's mother frets that her son is marrying beneath him; his sisters are less critical. Early the next morning, the four of them go by train to the farmhouse, joined by Angelo's married, unpregnant sister. The day-long dinner is riotous, couples display affection and impatience, children chase angels. Angelo's family stays the night, and his sister Linda has a visitor. A silver elephant makes the perfect gift.