Camila Toker

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

In the future, people hide their faces behind a screen. But an unexpected encounter will awaken new questions in a young woman, who will make a transformative decision.

It tells the story of Emilia, who is sent to a convent where paranormal forces start to mount among the holy and the tortured.

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

Daniel is a journalist who is commissioned to write an article based on a photograph of a presumed suicide. As he begins his investigation, he meets Marcela, the enigmatic photographer assigned to him as a colleague, with whom he has never had a relationship before, and with whom he slowly begins to fall in love.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

A couple in a car, starting with a cigarette, begins a discussion as ridiculous as interesting. The lack of communication and lack of harmony, attributes that are exploited in love (or lack thereof).

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

Short movie about communications and our expectations.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

El Chino Fernando and el Puma, two old friends who have not seen each other for some time, go out with their ex-girlfriends for a sailing trip. As a reminder of their "ex" status, differences soon surface and they decide to end the ride early. However, on the way back they are surprised by a storm that throws them off course, leaving them adrift in the middle of the widest river in the world.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

In the wake of a carnival parade the river washes a corpse onto the shore. A crime has been committed, a mystery blossoms to life, and the legend of mythical cursed diamond is tantalizingly revived.

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

In the wake of a carnival parade the river washes a corpse onto the shore. A crime has been committed, a mystery blossoms to life, and the legend of mythical cursed diamond is tantalizingly revived.

Following cuts to arts funding in Argentina, a cash-strapped producer, a canceled actress, and a depressed filmmaker come together to explore a musical about Medea. Joined by a Norwegian actress turned director, they travel to the Peloponnese, where old grudges resurface.

Five sleepless women on a fleeting trip to an island in Ramanegra. A forgetfulness and the fear of not knowing what could have happened. Female paranoia, morbid imagery, and jokes that end in mistrust between them. Conspiracy theories, complicity, and suspicion. Insomnia, the discovery of a dead hand in a forest, a comet... A fragmented and psychedelic tale. A perfectly possible living nightmare.

Five sleepless women on a fleeting trip to an island in Ramanegra. A forgetfulness and the fear of not knowing what could have happened. Female paranoia, morbid imagery, and jokes that end in mistrust between them. Conspiracy theories, complicity, and suspicion. Insomnia, the discovery of a dead hand in a forest, a comet... A fragmented and psychedelic tale. A perfectly possible living nightmare.