Most Viewed From Apsara Films

Angela was 8 years old when the first McDonald's opened in East Berlin - Since then, she has been fighting against the curse of her generation: to be born "too late" at a time of global political depression. Coming from a family of activists, her sister chose the world of business and her mother abandoned overnight her political struggle to move alone to the countryside.

After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Thirty-year-old Alice's occupation is rather unusual for a woman: she works as an engineer on a freighter. She loves her job and does it competently but even in a greasy blue overall a woman will be a woman, with her heart, her desires and her seduction - In such conditions can an all-male crew really remain totally insensitive to her charms? A situation all the more complicated as not only does Alice leave her fiancé Felix behind but she also discovers on board the Fidélio that the captain is Gaël, her first love.

Jeanne visits her best friend Elisa in the countryside and discovers an abandoned castle turned into a community space. Full of social and collective initiatives, the place is threatened by business plans. How long will it resist?

Céline is expecting her firstborn. But she’s not the one who’s pregnant. In three months, her wife Nadia will give birth to their daughter. Under the gaze of her friends, her mother, and the law, Céline looks for her place and sense of legitimacy.

Samnang, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.

Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.

1996, 16-year-old Solveig longs for her first kiss...

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

Jeanne works as an auxiliary in a maternity in Marseilles. Day and night, Jeanne and her colleagues fight to help mothers and their babies against the lack of staff and constant management pressure. Jeanne lives with her 18 year-old daughter, Zoé. When a tragedy occurs at the maternity and Zoé leaves to study in Paris, Jeanne’s secret past suddenly resurfaces and forces her to assert her life choices.

On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.

Hidden in a hotel in the capital city of Phnom Penh, a young couple spends their final days together before one of them has to return home to her own country.

On a Cambodian fishing island, Mera is turning 18. She rejects a marriage arranged by her aunt and instead organizes a trip with her close friend Bopha to a remote rocky island to visit a soldier who she met online. Weeks later, Mera vanishes. Bopha’s search begins. As the weeks pass without resolution, Bopha starts to understand the inner secrets and hidden desires of her missing friend, and her own.

Mai Hua, French-Vietnamese single mom with two children, brings back her dying grandmother to France. As the old woman miraculously recovers, questions are raised within the family history, in particular a curse on the women of the family, revealing an intimate archeology of female lineage and universal quest for truth.