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The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

A fantasy movie directed by Ernst Wolfram Marboe.

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.

Germany, around the turn of the century. When sailor Poldi returns to his Bavarian home village after many years at sea he falls for his childhood friend Dorle. But Dorle is already promised to the village blacksmith Domini. A bitter rivalry between the two ensues.

One of the main theses of the Marienthal study was that prolonged unemployment leads to a state of apathy in which the victims do not utilize any longer even the few opportunities left to them. The vicious cycle between reduced opportunities and reduced level of aspiration has remained the focus of all subsequent discussions.

Because of its name, the small Austrian town of Bad F* is a tourist attraction—until a landslide cuts it off from the rest of the country. Three years later, a murder sets a multitude of devastating developments in motion...

The catastrophe is perfect: Gustav Klimt's world-famous "kiss" was stolen from the museum. What is a problem for some is a salvation for others. For the impoverished Count Leopold, the loss of the picture is an advantage, because now he can earn the sum insured for the family-owned work of art. For the fashion designer Isabella, theft is definitely a problem too much. Not only is her father Albert, who was supposed to guard the picture on the night of the crime, now with a heart attack in the hospital, he admits to her that the stolen Klimt made a self-made ...