Most Viewed From Cinès-Pittaluga

A famous composer, distraught after his lover leaves him, contemplates suicide. He meets a young woman who restores his will to live.

The film follows Giovanni, a working-class orphan living in Rome, who realizes that his criminal lifestyle is wrong and becomes a devout fascist.

When his wife storms out of a dinner planned in honor of his American boss (because their dog is not allowed to be at the table) an engineer pretends that his secretary is the missus.

The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

Count Agostino di Montecorvo's nephew and niece pretend they get married for his hundredth birthday since the old man has had this wish for a long time. But when the count wants them to beget a child as well they are forced to present him with a fake one. But then the child's mother wants it back...

Two young officers in the Italian Royal Air Force (Knight and Stuart) compete for the hand of the attractive Elena (Greta Hansen) and find their comradeship strained as a result. Both try to impress her with daredevil aviation stunts which become increasingly reckless as they try to outdo each other in bravery. Finally, Knight goes too far and crashes his plane on a mountainside. Putting rivalry aside, Stuart risks his life to save his injured colleague, and both realize that their friendship is more important than silly squabbling over a woman. They leave the choice to Elena. A co-production between Britain's Teddington Studios and Italy's Pittaluga studios.

Old fashioned opera adaptation: A feisty and free spirited woman of the Tyrol withdraws to a mountain peak when she is separated from the man she loves. When he later attempts to rejoin her, disaster results.

A killer is on the loose, murdering people with an iron claw.

In this delightful mixture of romance, comedy and music, the director turns back the wheel of time about sixty years and shows the audience an Italy of primitive railroads, high bicycles and the famous "dolce far niente." Taking the visit of a traveling opera company to a small town, where it is scheduled to present "Il Barbiere di Siviglia" and where one of the most important citizens is a retired opera singer, the scenario writer weaves a web of merry complications well calculated to keep the spectators in a happy mood.