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Set in the Channel Islands on the eve of D Day, two Kiwi commandos, sent to destroy German gun emplacements to distract Hitler's forces away from Normandy, discover a Nazi occult plot to unleash demonic forces to win the war.

"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.

Adrian is a classic outsider. His playful, dreamy imagination distracts him from everyday life, for the reality he lives in could not be more different. Neither his chronically depressed uncle nor his overworked grandmother understand the ten-year-old’s games. His mother abandoned him when he was very young and he is bullied at school. Just as news arrives that three children are missing, a new family moves in next door. Adrian develops a close relationship to their tomboyish, ten-year-old daughter Nicole and believes he is getting close to solving the mys- tery of the missing children. New Zealand forms the backdrop for this universal story for adults and those who have never wanted to grow up. It is a story about friendship and loneliness, emotions which Adrian already feels so poignantly as a child. The Danish first-time director’s expressive visual language dramatically merges water and air, reality and a hint of fantasy.

A short thriller about the murder, and its aftermath, of a young girl.