Most Viewed From Les Films de l'Arquebuse

In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories.

Everybody takes advantage of Fernand who has just come out of prison.

A couple deal with their problems like any other, while actors read Friedrich Engels' "The Origin of the Family, Private Property and the State", and in interviews, the director discusses the status of women in 1978.

The story of Itineraire Bis has no singular plot line, but swings back and forth between the adventures of a young man who wants to buy a pizza truck and the lives of two middle-aged brothers living in an enormous house. One of the brothers is wheelchair-bound and eventually makes the acquaintance of the pizza-driving aspirant and decides to give him the money he needs -- though this act of generosity in no way shields him from his own destiny. Other characters wander in and out of the story, such as Jeanne (Martine Kalayan), the young man's lover.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.