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By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

Kimberly will stop at nothing to have a child of her own. Recovering from cancer her possibilities seemed slim. However, the world's first successful human cloning project brings an opportunity and a son named David. Seven years after David's birth, Roger, the head researcher of the cloning project returns to reveal that David was cloned from DNA taken from the Shroud of Turin... from blood of Christ.

Voting against the Mafia in what he thinks is a secret ballot costs Sicilian laborer Mimi his livelihood. He leaves his wife, flees to Turin and romances a Communist organizer – but he just can’t shake the Mafia. When they lure Mimi back to Sicily with a better job, he must keep his lover – and love child – under wraps. That’s when his wife announces she’s pregnant.

A nerdy film student and lifelong voyeur begins to believe that two lovely young strangers may have conspired to commit a brutal murder.

Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.

This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.

Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.

A man in crisis just doesn’t know how to fix things with his conscience.

In late 19th-century Turin, the young Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. A profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.