Most Viewed Keyword Nonviolent Resistance

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

When loyalty to country becomes loyalty to a lie, one teen risks everything to expose the truth. With the Gestapo closing in, he must decide what it really means to be a good German.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

On Wednesday, July 17th 2019, a heavily armed police force arrested 36 Native Hawaiian kūpuna peacefully protecting Maunakea from desecration. The actions from that day sparked an international outcry and brought new life to the ongoing movement for Native Hawaiians’ rights for self-determination.

In April 1977, the small coastal town of Seabrook, New Hampshire became an international symbol in the battle over atomic energy. Concerned about the dangers of potential radioactive accidents, over 2,000 members of the Clamshell Alliance, a coalition of environmental groups, attempted to block construction of a nuclear power plant. 1,414 people were arrested in that civil disobedience protest and jailed en masse in National Guard armories for two weeks.

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

February 2011: 20 000 people demonstrate in southern France against the shale gas licenses that have been issued in backroom deals, Meanwhile the European Parliament begins its first inquiry on the subject, From the outset, there is a split between the conservative representatives, swayed by the economic arguments in favor of fracking, and opponents invoking the precautionary principle. In areas affected by the permits, people are getting organized, building their knowledge, and taking action. Local mayors step up, issue local bylaws and relay information about the situation up to the national government. This grassroots movement makes it all the way to European-level institutions.

When a young couple buys a contested home at auction from the U.S. government for $5,400, they become involved in a political and moral battle much larger than what they originally bargained for.

Twenty-eight people offer their motivations for and methods of resisting the war machine with their tax money. This tightly-paced short film introduces viewers to war tax refusal and redirecting tax dollars to peace, with music by Sharon Jones and the Dap-Kings, Antibalas, Rude Mechanical Orchestra, and First Strike Theatre’s version of “Don’t Pay Taxes” by Charlie King.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.