Most Viewed Keyword Palestinian Genocide

January 29, 2024. Red Crescent volunteers receive an emergency call. A 6-year old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.

Students flooded Columbia University’s lawn to create the Gaza Solidarity Encampment in order to pressure their university to divest from the US and Israeli weapons companies. The film follows the central organizers of the encampment as they are thrust into the spotlight, face violent police repression and suspension, congressional pressure, and a media firestorm, all while fighting to attain their goal of divestment at any cost.

The story follows a day in the life of Ismail, a Palestinian photographer whose American upbringing was shaped by his grandfather’s displacement during the 1948 Palestine Nakba. When Ismail’s mother gifts him his grandfather’s keffiyeh—a traditional Palestinian scarf—it triggers an internal struggle between shame and pride in his cultural identity, all unfolding against the ominous backdrop of rising violence against Palestinians.

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.

As Israel’s bombing campaign continues in Gaza and the humanitarian crisis deepens to catastrophic levels, the Biden administration has not wavered in its support for Israel. From air strikes to field executions, Fault Lines investigates the killings of civilians by the Israeli military in Gaza and the role of the United States in the war.

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.

In the midst of the war in Gaza, 5-year-old Hind Rajab and her family seek safety. To escape reality, they dance to loud music in the car. Their flight is abruptly stopped by an Israeli tank that opens fire without warning. Trapped in the car, surrounded by tanks, the girls try to hold on. They comfort each other and dream out loud about a future that seems increasingly distant. They keep in touch with the emergency services, who promise to rescue them as soon as the army gives permission. What began as a search for safety ends in a tragedy that exposes the core of the war.

Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.

14-year-old Zain, a Palestinian swimming champion, faces war and man-made famine. He becomes the sole caregiver to his little brother. When aid drops into the sea, desperate for food, Zain is forced to swim - not for passion, but for survival.

The true story of 5-year-old Palestinian girl Hind Rajab, who was separated from her mother and trapped in a car under heavy attack in Gaza surrounded by an Israeli tank in January 2024.

Severed tells the story of Mohamad Saleh, an 18-year-old from Gaza who has lived through five major assaults on the Gaza Strip. In those attacks, he lost his home, family members, his best friends, and, at the age of 12, his leg. Now living in exile in Egypt, Mohamad struggles to piece together the shattered fragments of his life. Through his eyes, the pain and trauma endured by thousands in Gaza are laid bare, alongside their remarkable strength, resilience, and determination to live.

Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.

A raw journey through occupied West Bank and East Jerusalem, this film profiles Palestinian life under Israeli aggression, exposing Australia’s complicity and media bias.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous. Through intimate footage and poetic observation, the film captures the everyday courage required to cast a net, mend a line, or share a meal. Fishing becomes an act of survival, resistance, and hope. Co-directed by Bisan Owda (Peabody Award 2024) and Carolina Pereira, Free Fish offers a deeply personal and universal story of resilience in the face of erasure — a quiet tribute to a people who refuse to be forgotten.