Most Viewed Keyword Gorges Du Verdon

È Pericoloso Sporgersi is Robert Nicod's first short film, shot in 1985, featuring four young climbers, two women, Catherine Destivelle and Monique Dalmasso, and two men, Alain Bultel and Marc Lecomte-Durouil, in the Verdon Gorges. In a natural setting of cliffs, rivers, sinkholes and vertical waterfalls, Catherine Destivelle and Monique Dalmasso climb the Bombé de Pichenibule. This progression, filmed as a female climbing adventure, represents a successful first 7b+ ascent for the French champion. The film received the Genziana D'Argento for best sports film at the Trento Film Festival in 1986.

Documentary on climbing in the famous Verdon gorges, a mecca for world climbing. From Bernard Vaucher to Catherine Destivelle, from Bernard Gorgeon to Lionel Catsoyannis via Enzo Oddo and Fabien Ristori, relive the evolution of climbing in Verdon through testimonies and anecdotes from climbers from different generations. History, anecdotes and emotions from the early 60s to the present day, with an eye towards the future. Can we define ourselves as a climber without having visited the Verdon?

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

In 1983, the French Mountain Federation (FFM) organized a landmark climbing gathering in Saussois and the Verdon, bringing together generations of the greatest climbers of the time, including Patrick Edlinger, Jean-Claude Droyer, Jerry Moffatt, Jean-Claude Droyer, Robert Paragot, Lucien Bérardini, Ron Fawcett, Jean-Pierre Bouvier, and other major figures. This event symbolized the emergence of modern sport climbing as a practice in its own right in France, with the liberation of legendary routes and the rise of freestyle climbing, notably under the leadership of Droyer and Edlinger. This gathering was a key moment in the dissemination of the freestyle ethic and the evolution of grading, while Saussois and the Verdon were at the forefront of high difficulty in the world.

Georges Livanos. A name that hardly evokes anything, or not much, even in the heart of Chamonix, the Mecca of mountaineering. And yet, the one nicknamed “the Greek” in the 1950s, because of his paternal ancestry, was undoubtedly one of the most important French mountaineers of his time. High mountain guide, Yann Borgnet, is also passionate about the history of mountaineering. “The Greek” is one of the “old ones” who particularly marked him. Yann wants to follow in Georges’ footsteps. So the young guide imagines an alpine journey, designed to visit the great routes opened by Livanos. A dive into the heart of an immense vertical heritage, to meet a great, almost forgotten, figure of mountaineering and his heritage.

At 60, Alain Robert has become a legend around the world, a genius clairvoyant madman from whom we do not know what to expect except that the Champagne flows, that nothing is quite planned and that life prevails. always on the rest. In the free solo niche, who can claim such longevity? Such consistency? Making crazy risk-taking a world of life is the legacy that this generation of rockers passes on to us. Alain is a rocker, rock heart too, just a rock, crazy about freedom. He is probably the oldest climber to dare to venture on a comeback without any safety equipment on the vertiginous cliffs of the Verdon, 20 years after having left them.

Before tackling the ascent of urban buildings, Alain Robert was considered one of the best specialists in the "climbing" of cliffs. His passion nearly cost him his life in 1982, when a fall rendered him 66% disabled. At the time the doctors were convinced that he could no longer indulge in this passion. This does not prevent him, by dint of motivation and training, from climbing more than 170 buildings around the world to date, and from soloing technical routes at his maximum level, such as "La Nuit du Lézard". (8a+) in Buoux (France), where here is "L'Ange en Décomposition", in 1991, a mythical course in the Gorges du Verdon.

Released in 2016, the short film by Keith Ladzinski, Josh Povec and Andy Mann traces the origins of sport climbing in the legendary Verdon Gorges, which Americans inevitably compare to the US Grand Canyon. The Verdon is where climbing flourished in the 1970s. Through the eyes and experiences of Bruno Clément, Alan Carne, Emily Harrington, François Guillot, Matt Segal and Jonathan Siegrist, we take a look back in (very beautiful) images at the different routes of the Verdon Gorges.

A legendary film in the history of rock climbing in the Verdon Gorges, shot in 16mm between the autumn of 1978 and the spring of 1979 by Henri Agresti, a high mountain guide. For the first time, acrobatic shots were taken on the walls of the Verdon. We rediscover a whole generation of pioneers on routes like Dingomaniaque, Triomphe d'Eros, Péril rouge, Luna Bong, Pichenibule or Necronomicon, routes which, like Dingomanique or Triomphe d'Eros, had just been opened. We witnessed a major turning point in the style and possibilities of rock climbing at the end of the 1970s: anchors sealed by drilling used as belaying and no longer as aids, new equipment: climbing shoes and chalk, harnesses and figure eights. Henri Agresti's unfinished and silent film, lasting around fifty minutes, was presented in the form of a nine-minute fragment at the Trento Film Festival in 1981.