Most Viewed Keyword Prisoners

After a viral outbreak ravaged the country’s adult population, a group of orphans heads south in search of a new life, only to find themselves at the mercy of a deranged woman harboring a dangerous secret.

A young woman joins the military to be part of something bigger than herself and her small-town roots. Instead, she ends up as a new guard at Guantanamo Bay, where her mission is far from black and white. Surrounded by hostile jihadists and aggressive squadmates, she strikes up an unusual friendship with one of the detainees.

Inspired by true events from the spring of 1944 when the Nazis organized a football match between a team of camp inmates and an elite Nazi team on Adolf Hitler's birthday. A match the prisoners are determined to win, no matter what happens.

Jenny is sent to a women's reform school. It is run by evil warden Sutter and her henchwoman Edna. Jenny will stop at nothing to escape but she also has to deal with Charlie the bully.

900 years after a nuclear war in the USA, mankind is back to the stone ages. Amazon women rule the tribes, while the men are weak and dumb - either kept as slaves or living wild as animals. Only Korvis and a friend are intelligent enough to flee and found a tribe of their own. Will they manage to teach the women to love men again?

French visual artist-director JR situates his latest social-art intervention in a Southern Californian supermax prison, where he has imagined an enormously ambitious collaboration with the facility’s inmates.

Documentary about Attica prison riot and lawsuits to get compensation for the victims of these events.

Civilian Mary Dane and falsely imprisoned Bud Leonard love each other. Lou Rinaldo, who framed Bud to get Mary, and escape-minded King Callahan want to keep him in stir, but convict Bertie and the others, even including the Warden, set events in motion to prove that love and justice will prevail. NB: Prisoner numbers given in lieu of character names in many cast lists for this film do not match the numbers shown on the characters' uniforms, when these can be seen at all, and are not used in dialogue at all.

This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage.

A group of female inmates wanting to shorten their prison sentences take part in a hellish game of cat and mouse with a giant mutated snake.

Follow the daily lives of several quilters inside the sewing room at South Central Correctional Center, a Level 5 maximum-security prison in a small town two hours south of St. Louis, MO. From design to completion, the men reveal their struggles, triumphs, and sense of pride in creating something beautiful in this windowless, sacred space deep within the prison walls.

Sebastian, a young boy living in a basement with his two brothers has to learn how to work together with his fellow prisoners to escape the man who's holding them captured.

'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...

Impressionistic glimpses of London life from early morning to rush hour.

Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?