Most Viewed Keyword Sheep Shearing

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

In the Australian Outback, the Carmody family--Paddy, Ida, and their teenage son Sean--are sheep drovers, always on the move. Ida and Sean want to settle down and buy a farm. Paddy wants to keep moving. A sheep-shearing contest, the birth of a child, drinking, gambling, and a racehorse will all have a part in the final decision.

Set against New Zealand’s Golden Shears – the Olympics of competitive sheep shearing – Brian Castlehead, a washed-up hairstylist to the stars, enters the competition world determined to prove to his father that he’s a real man.

The harsh, competitive world of Australian sheep-shearers provides the setting for this powerful film. Foley and 'Black Arthur' do battle for the position of 'top shearer' amid the boozy world of men isolated from civilisation. After weeks of work they are confronted with non-union labour undercutting them - a situation which leads to a violent conclusion.

A whodunnit on a sheepstation.

Before shearing, done with electric devices and hand shears, lambs are separated from the flock. The lambs are not yet shorn but dipped in a disinfectant, parasiticidal liquid prescribed by law. For the auction, held in autumn, the sheep for sale are loaded on special trucks and transported from the pasture to the public sale.

A narrator recounts a story about his missing friend, the downfall of a sheep shearing gang and sightings of a hairy beast in 1980s rural New Zealand.

Orla Barry is a hard-working, lipstick-wearing sheep farmer in rural Wexford. She is also a visual artist, renowned for her video and sound art. She strides confidently from art seminars to the Tullamore Show, lambing in April and shearing in June, working tirelessly to make a living from eco-farming in the face of global demand for faster, cheaper meats and wools. But while tied to the demands of the ovine calendar she must make time to let her creativity flow.

A herd backs into a dusty courtyard. The sheep, on the ground with their four legs bound, are quickly and skillfully shorn. The animals, now without their fleece, leave one by one, leaping over a narrow channel to allow the shepherds to count them. Everything is crystal clear, efficient, encouraging in a sense – and this goes for both the shearing and the film. Except for the final panning shot of the men grinning at the camera and brandishing shears ready to be put to use. –Andrea Meneghelli