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It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.

A cinematic story of drama after the drama and war that rages on in people's hearts even after the war. The hero, an Orthodox Christian monk, finds himself on a road to spiritual healing through circumstances he could never have dreamed of. The story follows the path to spiritual uplifting, metaphorically introduced at the very beginning in the hero's walk to the secluded hermitage. The leitmotif of watering a dry, dead tree, repeated throughout the film, illustrates the absurdity of the monk's faith. The permanent paralysis of the characters after the torment of war invokes forgiveness as the only means to ultimate healing.

Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.

Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.

Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.

Haim-Aaron is a bright, ultra-orthodox religious scholar living in Jerusalem. His talents and devotion are envied by all. One evening, following a self-imposed fast, Haim-Aaron collapses and loses consciousness. The paramedics announce his death, but his father takes over resuscitation efforts and, beyond all expectations, Haim-Aaron comes back to life. After the accident, try as he might, Haim-Aaron remains apathetic to his studies. He feels overwhelmed by a sudden awakening of his body and suspects this is God testing him. He wonders if he should stray from the prescribed path and find a way to rekindle his faith... The title means "Rectify" in Hebrew; nevertheless the movie is called Tikkun in the English-speaking world.

DEVOUT reveals an archaic utopia, a timeless spiritual sphere that is as beautiful and harsh as the mountain terrain of the Caucasus, tempting but unforgiving, a riddle like God and faith as mysterious as the human condition.

A middle-aged Orthodox Jew, Aaron, living and working in Jerusalem with his wife and children, meets a homeless 19-year-old student. Aaron offers to give Ezri work as his assistant at his family's butcher shop. The two men grow close and their attraction becomes sexual. Aaron must now confront his own sexuality, his feelings for Ezri, and his obligations to his family and faith.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

In its portraits of three monks, Erik Praus’s documentary captures the inimitable spiritual ambiance and mysticism of Pochayiv Lavra, an Eastern Orthodox monastery on a hill above the town of Pochayiv in western Ukraine’s Ternopil Oblast. Fathers Gabriel, Vicilentius and Nazarij have left their past traumas behind, finding peace, balance and their lives’ meaning at the monastery. Their stories are allegories of spiritualization and purification from human passions against the backdrop of the turbulent Ukrainian reality. Motivated by material need and spiritual desperation, the faithful flock to this place of pilgrimage in search of new strength and forgiveness. The film respectfully observes the monks’ everyday lives, while also noticing the opulent splendour of their surroundings. The road to faith is not a privilege of the chosen few; it is open to all who hear its “calling”.

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

On the island of Cyprus, an insomniac is haunted by hallucinations that his mother believes are a message from his dead father.

Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.

A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.

The "Good News" is a film dedicated to one of the main holidays of Orthodox Christians: the Annunciation of the Most Holy Theotokos. The main idea of this holiday is the beginning of the liberation of the human race from sins and eternal death, the joyful news about the upcoming birth of Jesus Christ. The film shows how people living in the remote Russian village are preparing for the Annunciation, marking the turning point of winter and the beginning of field work. Everyday details of the parish community life help to feel Russian Orthodox customs that have been formed for centuries.

The Patriarchate of Moscow and the POKROB Film Studio deliver to global Orthodoxy a documentary with a total duration of five hours on the holy life and work of Saint Paisios of Mount Athos.

The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".

The film chronicles four events that take place over a span of two days, all relating to superstition and spirituality in India. It aims to show the thin line between harmless faith and the kind that puts down human dignity in the name of religion. Starting with a Godman with questionable intent, it moves on to a place where women are segregated during their periods, a lady isn't allowed to enter her place of worship for being born into a specific caste, and finally to a dargah where mentally ill women are admitted for being cured of their demons.

In an alternate reality of present day Israel, a Haredi wheeler-dealer named Broide makes his living smuggling minor contraband between the secular “State of Israel” and the ultra-Orthodox “Haredi Autonomy” in Jerusalem. One day he receives a life-changing job offer: kidnap a little girl at the heart of a custody battle between two families - one Haredi and one secular.

The Patriarchate of Moscow and the POKROB Film Studio deliver to global Orthodoxy a documentary series of six episodes with a total duration of five hours on the holy life and work of Saint Paisios of Mount Athos.