Most Viewed Keyword Fluxus

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

Word & number gag, no camera.

"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas

A smile gradually fades into a neutral facial expression.

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.

Close-ups of two faces, shouting at each other.

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

Single frame exposures, color. Different image each frame, various items in the room, etc.

Lifting and holding up a chest of drawers.

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George Landow, and believes it should be credited to John Cavanaugh. "George Maciunas had a number of films which didn’t have titles on them. Then he put them together into his Fluxus reel and tried to remember who made them. It was an intentional Fluxus joke." (Owen Land, interview with Mark Webber, 2004)

Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.

A handful of rocks and chestnuts falling, filmed with high speed camera.

Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

Tips of feet walking at the edge of frame, all around the frame.

X-ray sequence of mouth and throat; eating, salivating, speaking.

Features entrance and exit door signs, fading through black and white.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Various gestures of hand held razorblade, single frame exposures.

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.