Suzy Pierson

Remember when Julie Andrews in The Sound of Music says "Every time God closes a door, He opens a window?" Well, this is basically the same philosophy followed by a sage authority named Professor Azais. Though he is never seen in the film, Azais's influences dictates every move made by Le Baron Wurtz (Max Dearly), a private tutor. Though he suffers quite a few setbacks, Wurtz presses on, armed by the Azaiz philosophy that every time something goes wrong in one part of the world, it is balanced by something going right elsewhere. This "law of compensations" pays off in big laughs for the audience, and in a happy-ever-after for Wurtz. Azais was based on a play by Georges Berr and Rene Verneuil.

A charming little couple is watched by the misfortune that hides under the disturbing and enigmatic features of a femme fatale.

Auguste Chantilly leads a well-regulated life in the countryside, watching over his ward, the young Arlette. But in the city, he becomes Hubert, and leads a much happier life. Arlette is very keen to get to know this Hubert whom she thinks is her tutor's brother, and things get complicated.

A Paris night club proprietor falls from grace and is reduced, after going away for a while, to working there in a menial position.

Serge loves living it up but painting the town red has a price... too high for him! What to do then? Alfred, his servant and former pickpocket, has the solution : steal of course! No sooner said than done ! Or rather: No sooner said than tried... For when Serge, assisted by his mistress Gloriane acting as bait, he tries to rob a jeweler on the Place Vendôme of a precious diamond bracelet, he realizes that a gang of thieves have preceded him. Later on, he will learn that the boss of the gang is a Polish noblewoman, Countess Waldapowska.

The film portrays the relationship between a female Moroccan student, who has been forced to leave her studies at the Sorbonne for financial reasons and works as a dancer in a Paris nightclub, and a French naval officer. However, on returning to Casablanca she is tricked into believing that he had the led attack on her village that wiped out her family. She begins to plot her revenge.

The brave Monsieur Breloque has a friend, Pierre Martel, a private detective. When the latter asks him to replace him for a while, Breloque, although having no competence in the matter, accepts. He anticipates adventures and misadventures but also happy surprises.

A young Breton sailor falls in love with a visiting stranger called 'La Glu'. He drops his betrothed, mother and friends so that he can live with her. La Glu is murdered. Who did it? Relatives and friends are all suspects.

The belated and revolting passion of a famous surgeon for a young orphan whom he once took in. He goes so far as to dishonor her to prevent her marriage to a young man she loves, whom she will however end up marrying. The young girl herself is not without reproach; she has missed a mother's love: in this ordeal, she has no sense of feminine dignity.

A wealthy young businessman consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie).

A renowned doctor and his brother live and work together until the brother falls in love with Marie, a singer, and gives up medicine to be with her. After a time however, she misses her old life and goes back on the stage - an act which leads her lover to commit suicide. Later the doctor and Marie also meet, and she becomes his mistress. He finds out about his brother's suicide and goes through his artifacts looking for a clue as to what might have been the cause. He finds a photograph of Marie and realizes the truth, which decimates their relationship.

Napoleon at Saint Helena (German: Napoleon auf Sankt Helena) is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph and Albert Bassermann. The film depicts the final years of Napoleon between 1815 and 1821 during his period of exile on the British Atlantic island of Saint Helena following his defeat at Waterloo.

A designer is in love with a model, who ends up creating her own fashion house, with the help of a millionaire who is also in love with her.

A poor relative, cousin Bette is cast aside by a wealthy family. Embittered and jealous, she devotes herself to the systematic destruction of those around her. Max de Rieux's adaptation takes the decision to return to the initial meeting of the Hulot couple as if to show the degradation of the pure feelings and sublime aspirations of youth in bloody competition and irresistible perversion in materialist society.