Lita Stantic

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.

Tribute documentary on the relationship between music and image in the cinema, as a constitutive part of it, with great musical moments in Argentine films together with the words of those who compose and direct.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

Making of documentary

Assumpta Serna stars as the brilliant and beautiful poet Sister Juana Inés de la Cruz in this magnificent portrayal of 17th Century Mexico. In order to pursue her love of writing, Juana enters the convent and gains international renown. When the Inquisition comes, the local Vicereine becomes Juana's protectress and erotic muse, and soon begins a thrilling romance of startling passion and intensity.

Analía’s mother sends her to Buenos Aires to deliver some handicrafts. She is expected to return home quickly to the country town where she is to take on her family’s hairdressing salon. But by chance an address mix-up leads her to a Muslim community where she finds herself taking part in a ritual completely unknown to her. Enthralled by the new world she has entered, Analía decides on the spur of the moment to take on another identity.

Between January 2019 and May 2020, Adriana Lestido undertook a journey, without company or assistance, through the Arctic Circle and the Svalbard Islands, a frigid and inhospitable region shared by Norway and Iceland. During those months, Argentine photography recorded, in all its splendor, a still unknown ecosystem.

Between January 2019 and May 2020, Adriana Lestido undertook a journey, without company or assistance, through the Arctic Circle and the Svalbard Islands, a frigid and inhospitable region shared by Norway and Iceland. During those months, Argentine photography recorded, in all its splendor, a still unknown ecosystem.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.

A young man enters an institute for the mentally ill and falls in love with a patient from whom he will distance himself after her rehabilitation.

The life of an advertising model, since she is discovered by a producer, until she decides to move away from the advertising environment.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Buenos Aires, 1932. After a series of warning attacks from an enemy, a mafia boss decides to fake his own death and then strike back. Things don't go according to his plan.

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

Story of a ordinary human being who, by chance, take possession of the money that was stolen from a bank, thinking that will solve all his problems.

Humans have disappeared, only a few remain who try to hide so as not to disappear like the rest. What do these strange beings hide? Why do they love us? What's its purpose?

A couple robs a supermarket, but the tension caused by a surprising event triggers an unexpected end.

Based on the poetry of Alejandra Pizarnik, ”Vertigo, or contemplation of something that falls”, tells the story of the writer's life through stories from her family, friends and admirers.

Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

An Argentinean octogenarian shares with us her philosophy of life. A different time, but also an exuberant landscape firmly in the present.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.

A history of Argentine football, from its origins in the nineteenth century to the victory of the Argentine national team in the 1986 World Cup. The film uses valuable archival footage.

With testimonies from residents of the neighborhood of Dock Sud, it deals with pollution of the river, harmful smoke from chimneys, distilleries, floodplains, garbage dumps and precarious boxes.

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

A plague ravages Buenos Aires. Those affected by it are executed on the spot; those who are healthy should report to the authorities. Escaping both from the authorities and from the disease, seven survivors head south.

This award-winning film by André Melançon -- set on a ranch on the pampas of Argentina -- tells the story of three children spending a summer with their grandfather. The youngest, Felipe, makes friends with a puppy; his older brother, Daniel, breaks and train his first horse; their 13-year-old sister, Laura, struggles with the transition between childhood and growing up. The kids find it difficult to adapt to their proud and stubborn grandfather, and he learns that he has to change his ways and try to understand them as they all experience the joys and sorrows of growing up and growing old. ~ Alice Duncan, Rovi

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

The portrait of a man and his attempts to make things up with life after losing his job.

A woman would rather forget her husband's forced disappearance at the hands of the government.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Adriana Lestido is an essential artist in Argentine photography, with a loving and committed gaze on captivity, motherhood and the most primitive impulses. This is her portrait, made from the intimacy of friendship, in her search for new paths and her desire for transformation and growth.

Saverio is an insurance broker who arrives in a small town after receiving a letter from a potential client requesting insurance for "special affections." Upon arriving at the mansion, Saverio is captivated by the beauty of Susana, the granddaughter and heiress to a vast fortune—beautiful, refined, and cultured. What Saverio doesn't suspect is that he will become the victim of a macabre plot, in which he plays a crucial role. Susana, in collusion with her family and friends, will feign madness with the sole purpose of making Saverio fall at her feet.