Autumn de Wilde

Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.

This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.

Pushed to the breaking point by Simon, her psychologically abusive boyfriend, Alice becomes an unwitting participant in an intervention staged by her two closest friends while on vacation. As she rediscovers the essence of herself and gains some much-needed perspective, she slowly starts to fray the cords of codependency that bind her. However, Simon's vengeance is as inevitable as it is shattering, and once unleashed, it tests her strength, her courage, and the bonds of deep-rooted friendships.

In 1800s England, a well-meaning but selfish young woman meddles in the love lives of her friends.

The Postman Dreams 2 is part of the Prada Postman's Gifts project for the Holiday Season.

Director Autumn de Wilde creates a surreal wonderland to celebrate the Prada Galleria bag.

Director Autumn de Wilde creates a surreal wonderland to celebrate the Prada Galleria bag.

Death Cab for Cutie presents: Directions, an innovative anthology of 11 short films inspired by each song on the band's acclaimed album Plans. Every song was directed by a different director and includes 2 bonus videos of unreleased songs. The unprecedented collection came about as the brainchild of otaku-house, the production company owned and run by childhood friends Nick Harmer, bassist for Death Cab for Cutie, and video director Aaron Stewart-Ahn. They saw the opportunity to enlist a variety of talented young artists to each make a short film set to a Death Cab song, without the constraints of the traditional music video- no arbitrary performance footage, the band themselves would not appear in the films. The ultimate goal was to create a series of small films that worked together as both individual pieces of art and as a unified whole.