Tony Rayns

Home movies shot on Super 8mm by W+B Hein over 10 years.

Two women are bound for the same plane, one of whom makes the flight while the other does not. In a cruel twist of fate, the plane crashes, killing everyone on board, and leaving the friends and family of the two women to talk about what was and what could have been.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

An appreciation of the 1999 film 'Audition' by Japanese cinema historian Tony Rayns.

Film critic Tony Rayns interviews Lino Brocka and other prominent Filipino filmmakers.

Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.

While attending a screening of his film at the London Film Festival, a Japanese man tries to track down a woman from his past after receiving a mysterious phone call.

Documentary about the making of Derek Jarman's 1979 film "Jubilee".

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.

A personal consideration of the Korean cinema by director Jang Sun-Woo, looking at it’s history of outside influence and censorship.

A documentary looking at the samurai traditions and films that helped shape Kurosawa's masterpiece.

Tony Rayns presents the work of the 'Fifth Generation' and other innovative filmmakers who emerged during the 1980s in China.

History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.

In this interview, conducted in 2013, Asian-film critic Tony Rayns offers his thoughts on the popularity of the ZATOICHI series, its main character, and some of the key talents involved in making it.

Asian cinema expert Tony Ryans discusses Kurosawa’s career and influence.

New video interview with film critic Tony Rayns

A BBC Arena profile of the Director from the time of the release of his film, The Garden, featuring interviews with Jarman, his collaborators and friends.

Interview with film critic Tony Rayns was conducted in December 2008.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Shot in 1983, edited for the VISIONS: CINEMA programme in 1985, a short documentary about Shanghai Animation Studio.

Film critic Tony Rayns discusses Josef von Sternberg's 1931 film version of 'An American Tragedy'.

In this short documentary, film critic Tony Rayns discusses director King Hu and A Touch of Zen.

An Interview With Critic And Hong Kong Film Expert Tony Rayns, About The Emergence, Key Players, And Success Of The Shaw Brothers Wuxia Film

A Japanese man and a gay bar-owner in Hong Kong drink beer as they talk about their childhood and experiences.

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Divided into chapters, the documentary examines Jang's career and films from many different angles and includes the voices not only of those who have worked with Jang but also of numerous ordinary Koreans who have been affected by his work. Individual chapters are devoted to such topics as Jang's idiosyncratic hairstyle and the controversy surrounding his previous feature Lies. The documentary tries to place Jang and his work in the widest possible social context, not only in the context of Korean cinema. At its heart is a series of remarkably candid and revealing interviews with Jang himself.

Tony Rayns presents the work of the 'Fifth Generation' and other innovative filmmakers who emerged during the 1980s in China.

Tony Rayns presents the work of the 'Fifth Generation' and other innovative filmmakers who emerged during the 1980s in China.

History of filmmaking in China from its beginnings in the 1920s to 1982, featuring Shanghai cinema of 1930s; the progressive filmmakers; the organisation of filmmaking under the post-war communist government; the impact of the Cultural Revolution; the work of Xie Jin.

Shot in 1983, edited for the VISIONS: CINEMA programme in 1985, a short documentary about Shanghai Animation Studio.

Two former cops start investigating the series of murders that tanked their careers when the killings begin again.