Nada Macanković

Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

A biographical story of Serbian King Aleksandar I Karadjordjevic.

Young filmmaker Tanja receives money to shoot her debut film.

Jovana and Aleksa are young people, linked by fate since childhood. Forced to move from the area where their ancestors lived for centuries, trying to find and secure the place to live in their new environment. Faced with the loneliness, and separation, because Alex works abroad in order to pay for the house, and they collide with the unsolvable problem for them - a fraud!

Year 1973, turmoil between Kosovo Serbs and Albanians in Autonomous province of Kosovo. A story that describes the beginning of the crisis in Kosovo.

When seven-year-old Julia's parents go out and leave her at home alone, she opens the door to a suspicious stranger. Six months later, the consequences of this launch Julia and her friends on a breakneck quest to save her family. In the course of this she becomes aware of how the world works and the place she and her family occupy in it.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

In a world full of fear, where love is slowly drifting away and becoming something unreachable, we come across unfortunate people, such as Rasha and his demanding sick father. Living on the edge of existence during pre-apocalyptic time, he becomes a guard of an old hotel, and stumbles upon strange characters with whom he shares misfortune.

Semester and Quarter are two best friends with no money. Like most young they hope for quick and easy money which would change their life. As events turned out, they are given a life chance to reach their aim by entering the pyramidal system. Running after it, they go through a lot of strange situations along with bizarre and unusual people.

The film is taking place in Belgrade for 24 hours. Follows a few stories and speaks about young urban characters, their lives, their ideals and feelings, and raises the question of whether they still have them.