Jacques Rivette

Evelyne, a judge's young wife, falls in love with Rémy while vacationing in Italy. Upon returning home, she must decide between telling her husband and continuing to see Rémy.

In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.

New interviews with star Jean-Pierre Kalfon; writer/director and Rivette collaborator Pascal Bonitzer; Rivette biographer Antoine de Baecque; critic/historian Sylvie Pierre; and archival footage of Jacques Rivette.

The first of three documentaries by Rivette on Jean Renoir.

Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things, La Chienne (1931) and Boudu Saved from Drowning (1932).

Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.

A librarian, a gangster's ex-lover and a woman who has recovered from a coma spend an eye-opening summer in Paris.

New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.

Documentary about filmmaker Shirley Clarke which originally aired on the French television series “Cinéastes de notre temps”.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband?

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.

Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

A librarian, a gangster's ex-lover and a woman who has recovered from a coma spend an eye-opening summer in Paris.

A librarian, a gangster's ex-lover and a woman who has recovered from a coma spend an eye-opening summer in Paris.

A playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.

Two enigmatic women, Leni and Viva, separately arrive in Paris, each with a hidden but shared motive. As they navigate the city and their search progresses, various characters become entangled in their conflict, one which increasingly comes to take a fantastical turn. These characters too, driven by their own desires, strive to assert their influence in the struggle. In Paris, drenched in an otherworldly ambiance, an opaque tale of desire and power emerges through mystery and secrets.

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."

After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband?

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view

After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.

Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.

Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.

Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

In this adaptation of Wuthering Heights set in the south of France in the 1930s, Guillaume wars with his sister Catherine over her affections for their farmhand Roch, of whom he is jealous. A romantic choice, destined for tragic results.

In this adaptation of Wuthering Heights set in the south of France in the 1930s, Guillaume wars with his sister Catherine over her affections for their farmhand Roch, of whom he is jealous. A romantic choice, destined for tragic results.

Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...

Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...

In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.

Before Le Pont du Nord Rivette films Paris s'en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: "At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project."

Considered by Jacques Rivette as “practice films”, these early images offer us a view of the beginning of his artistic journey. AUX QUATRE COINS includes an original device that immediately sets itself apart from any other classic narrative form. These first experiments were silent films with intertitles. AUX QUATRE COINS does not have any intertitles but black images between a few shots. Rivette offers the viewer intriguing visual forms, encouraging him to imagine his own story. (Hervé Pichard)

Considered by Jacques Rivette as “practice films”, these early images offer us a view of the beginning of his artistic journey. AUX QUATRE COINS includes an original device that immediately sets itself apart from any other classic narrative form. These first experiments were silent films with intertitles. AUX QUATRE COINS does not have any intertitles but black images between a few shots. Rivette offers the viewer intriguing visual forms, encouraging him to imagine his own story. (Hervé Pichard)

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."

A playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.

Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things, La Chienne (1931) and Boudu Saved from Drowning (1932).

The first of three documentaries by Rivette on Jean Renoir.

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."

Two enigmatic women, Leni and Viva, separately arrive in Paris, each with a hidden but shared motive. As they navigate the city and their search progresses, various characters become entangled in their conflict, one which increasingly comes to take a fantastical turn. These characters too, driven by their own desires, strive to assert their influence in the struggle. In Paris, drenched in an otherworldly ambiance, an opaque tale of desire and power emerges through mystery and secrets.

Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.

Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things, La Chienne (1931) and Boudu Saved from Drowning (1932).

The first of three documentaries by Rivette on Jean Renoir.

Considered by Jacques Rivette as “practice films”, these early images offer us a view of the beginning of his artistic journey. AUX QUATRE COINS includes an original device that immediately sets itself apart from any other classic narrative form. These first experiments were silent films with intertitles. AUX QUATRE COINS does not have any intertitles but black images between a few shots. Rivette offers the viewer intriguing visual forms, encouraging him to imagine his own story. (Hervé Pichard)

The film features five actors, two women and three men. According to Rivette, “It ran 40 minutes and nothing happens. It’s just four people sitting around a table, looking at each other. After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl.”

Paris rendered as a labyrinth of intrigues. Filmed in Parisian parks and on a terrace, LE DIVERTISSEMENT foreshadows the labyrinthine walks that would be a part of Rivette’s cinema, in which the characters look for, follow and find each other like in a romantic scavenger hunt.

Before Le Pont du Nord Rivette films Paris s'en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: "At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project."

New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband?

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.