Adolfo Marsillach

Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip's face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.

A diverse group of friends gather to celebrate a witless woman's birthday in this comedy drama set in France during World War II. The guests include an uncle who is a Nazi collaborator, a blind war veteran, a simpering physician, an arrogant educator, a patriotic girl, and the husband of the guest of honor. When some German soldiers are killed outside the house, the group is told by the Gestapo that they must choose among themselves two who will be shot if the killer is not caught. If two victims are not chosen, all seven at the party will be captured. Things sound pretty grim, but the black comedy begins when all seven try to save themselves by any means possible.

Luis, Julio, Miguel and Carlos are four young men who, moved by a strong religious vocation, have left behind family, friends, work and a love of youth to enter a seminary and start a life consecrated to God.

A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.

Inspired by the classic novel by journalist and writer Emilio Romero. Shortly before the outbreak of the Spanish Civil War (1936-1939), a group of Phalangist friends, who dream of a revolution to transform Spain, are dedicated to spreading their ideas among the population. As war begins, one of them, Lopez, is about to be shot, but is saved by a Republican. Then he joins the national side. After the war, an old comrade encourages him to involve in an operation to destroy the maquis of Asturias. Although he is married and has children, he accepts the proposal, infiltrates among the guerrillas and convinces them that he will provide weapons to continue fighting.

A sexually dissatisfied woman is confronted with a man who is the victim of a puritanic education.

A British novelist travels to Spain to visit his sister. However, when he arrives he discovers that she has been murdered by a gang of devil-worshiping bandits called the Devil's Cross.

Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by constant erotic dreams, she reveals in her confessional her intimate torments, and her confessor begins to feel a morbid passion for her. At the same time, Álvaro Mesía, a Don Juan, intends to seduce Ana.

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.

In the biography of John of Austria the Spanish hero of Flanders, brother of Philip II, as an argument, the tape is a praise of Spain Emperor Charles V and the values ​​of Franco.

In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.

The life of Maribel, a disilluisoned prostitute working the Madrid of 1960, suddenly changes when a simple man that she meets by chance without knowing her profession, decides that she is the woman of her life and that he wants to marry her and to meet his odd family.

A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Racial conflicts, love triangles and the awakening of passion will lead to disaster for a decadent aristocratic family in the newly independent Mexico.

The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

The story of doctor Santiago Ramón y Cajal, who adapting Golgi's silver staining method enabled the visualization of the real structure of the central nervous system, based on individual cells, the neurons. For which both were bestowed the Nobel prize in 1906.

A man has a street accident with his car in his way to Buenos Aires. While he waits for his car repairing, this business man learns that everybody in the little town where he's stuck seem to know about his wife Mónica. He knows little about her past, but the reactions of the townsfolk towards him range from laughing at his back to practically don't want him around. He won't leave the town until he could learn more about the secret past of his wife. But the former life of the young beautiful mother of his daughter involves a turbulent story.

Silvia travels to the big city where she meets a married man, with whom she ends up having a romantic relationship.

Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.

There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

Life events around a city street and its residents are told along the years while time goes by, wars break out and end and life evolves.

A revue troupe arrives in Puente San Gil, a small town, where they are received with hostility and contempt by the more conservative inhabitants.

Barcelona, Spain, at the end of the 19th century. Joaquín Rius, a prominent businessman, marries the young Mariona Rebull. Their apparent happiness is overshadowed by the arrival of Ernesto Villar, Joaquín's friend and Mariona's former lover.

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

After a few years, Víctor Morel comes back to the city. He has been a happy and Bohemian man who spent an authentic fortune. His first meeting with the past is with Laura, an extraordinary woman with he had intense relationships. She is now married with Daniel Romero, a man dedicated to the business that, precisely in the last days, has had a money problem. Due to this matter, Daniel will have to ask Víctor for help because it knows that he can extract it of the difficulty, in spite of the fact that he does not have any sharm.

Doña Pura, don Benito and don Augusto are three venerable old people who usually coincide each month in the queues of the mutuality windows to collect their pension, an opportunity they take advantage of to talk about life. When they learn that the old don Felipe, an acquaintance, is very sick and is alone and without money for a decent funeral, they decide to ask for a loan to help him, but, as they do not grant it, they decide to rob the savings bank. To do this, they will plan everything thoroughly and manufacture a homemade explosive.

Father Barrera, a newly ordained priest, returns from Rome to join the national forces as a military chaplain. The horrors of war produce in him a commotion so great that panic dominates him and he is not able to overcome it. After spending some time on the front line, they send him to the rear. There, his superior, Captain Estrada, meets Cristina, a young nurse.

A divorcing couple remembers the best years of their lives.

A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.

A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.

A beautiful teenage shepherdess named Adega sleeps one night with a mysterious pilgrim in a barn of impoverished and superstitious Galicia of the nineteenth century. The overwhelming fanaticism of the villagers motivates them to consider the outsider an envoy of Satan, reason why they deny him the lodging. The pilgrim, on the other hand, will react by cursing the people with plague and misery.