Hugh A. Robertson

A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.

Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

A young rape victim tries desperately to pick up the pieces of her life, only to find herself at the mercy of a would-be rescuer.

Harvey Middleman (Eugene Troobnick), a New York fireman, lives a very ordinary life with his wife (Arlene Golonka) and children. After he rescues a beautiful girl (Patricia Harty) from a fire, he fancies himself to be in love with her, leaving his wife and seeking help, in the process, from a nutty Psychiatrist (Hermione Gingold).

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.

Young Indian man survives life of violence and crime in Trinidad and Tobago to become part of the political movement towards independence.

Young Indian man survives life of violence and crime in Trinidad and Tobago to become part of the political movement towards independence.

A slick, smooth-talking, womanizing young black DJ falls hard for an enigmatic woman he's just met. Things take a turn for the worse, though, when she is found dead in his apartment. It turns out that she was killed by the local mob, which is trying to frame him for the crime. With the police after him, he calls on some of his old acquaintances to help clear his name and avenge the woman's death.

The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.

A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.

A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.

Two lovers romance is impeded by voodoo in the Caribbean. They are drawn into destructive rites, rituals and practice of Obeah. The young woman is the evil spirits focus. The mighty forces are summoned by a dark priestess. "I'm an Obeah man, I'm not a science man, I see things," says the man, who is known by only one name: Judge.

Two lovers romance is impeded by voodoo in the Caribbean. They are drawn into destructive rites, rituals and practice of Obeah. The young woman is the evil spirits focus. The mighty forces are summoned by a dark priestess. "I'm an Obeah man, I'm not a science man, I see things," says the man, who is known by only one name: Judge.

Vincent Bruce, a war veteran, begins working as an occupational therapist at Poplar Lodge, a private psychiatric facility for wealthy people where he meets Lilith Arthur, a charming young woman suffering from schizophrenia, whose fragile beauty captivates all who meet her.

Two lovers romance is impeded by voodoo in the Caribbean. They are drawn into destructive rites, rituals and practice of Obeah. The young woman is the evil spirits focus. The mighty forces are summoned by a dark priestess. "I'm an Obeah man, I'm not a science man, I see things," says the man, who is known by only one name: Judge.

Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.

A former comic is on the run from the mob.

The story of a mentally handicapped middle-aged man and how he, and his elderly parents who must take care of him, manage to get along in New York City.

A fifteen-year-old boy wants to buy a gun from an adult racketeer named Priest, in order to become president of the gang to which he belongs, and to return them to active "bopping" (gang fighting) which has declined in Harlem.