Moon Seung-wook

Yoon-hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyeong-joon is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough. Yoon-hee goes looking for Hyeong-joon, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyeong-joon's side is heartbreaking and frightening. Hyeong-joon, used to his life of loneliness and despair, loves Yoon-hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

In a near future Korea, where an "oblivion virus" which causes memory loss has become the centre of a tourist industry aimed at those who wish to forget the past, Anna Kim, a German woman of Korean descent, seeks the virus in order to erase painful memories and, along the way, develops a close bond with her driver and her teenage guide.

A young student is drawn into the world of a dance troupe after witnessing the beautiful grace of a female member. He must cope with the dynamics of the group whilst hoping to get closer to the woman whose dancing enraptured him.

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

The watch tower is an unattractively battered piece of lighthouse-looking architecture standing on a Yaksa-dong hilltop in Chuncheon. No one knows when, who and why it was built, but the tower which was rumored to have been raised as a fire watch during the Japanese Imperialist times, was used as a surveillance point for the Chuncheon Penitentiary and now a broadcasting tower where sirens are played during Civil Defense Drills.

The watch tower is an unattractively battered piece of lighthouse-looking architecture standing on a Yaksa-dong hilltop in Chuncheon. No one knows when, who and why it was built, but the tower which was rumored to have been raised as a fire watch during the Japanese Imperialist times, was used as a surveillance point for the Chuncheon Penitentiary and now a broadcasting tower where sirens are played during Civil Defense Drills.

A broker tries to get rich by a scam, but the police discover his intentions so he becomes a fugitive who runs aimlessly until he reachs a battlefield. Part of the 2002 'Jeonju Digital Project'.

A broker tries to get rich by a scam, but the police discover his intentions so he becomes a fugitive who runs aimlessly until he reachs a battlefield. Part of the 2002 'Jeonju Digital Project'.

Seong-cheol is a high school student who grew up neglected. In order to make money in a harsh society that abandoned him, he teamed up with Gi-joon, who is two years younger than him, to use his status as a minor to make money and seek a big blow. A father who left home, a sick brother and a mother whose cares for him. Seong-cheol, who was abandoned in hellish reality, starts a desperate survival in his own way.

Seong-cheol is a high school student who grew up neglected. In order to make money in a harsh society that abandoned him, he teamed up with Gi-joon, who is two years younger than him, to use his status as a minor to make money and seek a big blow. A father who left home, a sick brother and a mother whose cares for him. Seong-cheol, who was abandoned in hellish reality, starts a desperate survival in his own way.

Seong-cheol is a high school student who grew up neglected. In order to make money in a harsh society that abandoned him, he teamed up with Gi-joon, who is two years younger than him, to use his status as a minor to make money and seek a big blow. A father who left home, a sick brother and a mother whose cares for him. Seong-cheol, who was abandoned in hellish reality, starts a desperate survival in his own way.

In a near future Korea, where an "oblivion virus" which causes memory loss has become the centre of a tourist industry aimed at those who wish to forget the past, Anna Kim, a German woman of Korean descent, seeks the virus in order to erase painful memories and, along the way, develops a close bond with her driver and her teenage guide.

The watch tower is an unattractively battered piece of lighthouse-looking architecture standing on a Yaksa-dong hilltop in Chuncheon. No one knows when, who and why it was built, but the tower which was rumored to have been raised as a fire watch during the Japanese Imperialist times, was used as a surveillance point for the Chuncheon Penitentiary and now a broadcasting tower where sirens are played during Civil Defense Drills.

The watch tower is an unattractively battered piece of lighthouse-looking architecture standing on a Yaksa-dong hilltop in Chuncheon. No one knows when, who and why it was built, but the tower which was rumored to have been raised as a fire watch during the Japanese Imperialist times, was used as a surveillance point for the Chuncheon Penitentiary and now a broadcasting tower where sirens are played during Civil Defense Drills.

South Korean Kim lives alone in Warsaw, Poland, where he teaches taekwondo. His wife and daughter live in Berlin, just six hours away by train, but he's been traveling around Europe for 10 years and hesitates to even send a birthday card to his daughter. One day, he finds the bag of a woman, Yola (Eva Gabriluk), who has been pickpocketed, and the two become close. Another chance encounter with a delinquent young man, Mihau (Pavogiu Bourcik), brings them together, and they become an important part of Kim's life. Through Yola, Kim reconnects with lost feelings of love, and the always-flirtatious and unruly Mihau reminds him of his own restless youth...

South Korean Kim lives alone in Warsaw, Poland, where he teaches taekwondo. His wife and daughter live in Berlin, just six hours away by train, but he's been traveling around Europe for 10 years and hesitates to even send a birthday card to his daughter. One day, he finds the bag of a woman, Yola (Eva Gabriluk), who has been pickpocketed, and the two become close. Another chance encounter with a delinquent young man, Mihau (Pavogiu Bourcik), brings them together, and they become an important part of Kim's life. Through Yola, Kim reconnects with lost feelings of love, and the always-flirtatious and unruly Mihau reminds him of his own restless youth...

Yoon-hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyeong-joon is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough. Yoon-hee goes looking for Hyeong-joon, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyeong-joon's side is heartbreaking and frightening. Hyeong-joon, used to his life of loneliness and despair, loves Yoon-hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament