Anthony Wong Yiu-Ming

Anthony Wong from the beloved duo Tat Ming carried out a challenging solo concert at the Hong Kong Coliseum in March 2006. The gifted singer teamed-up with the Hong Kong Philharmonic Orchestra to offer a melodious fusion of classical and pop sounds. On the song list, music lovers will find Anthony's renditions of songs earlier performed by stars like Faye Wong and Cass Pang, who are among his adored peers. His concert also included well-known songs from such unforgettable movie blockbusters as Gold Finger from the James Bond series and Alfred Hitchcock's North by Northwest. Another note-worthy song is "We Won't Cry", formerly sung by the late great Anita Mui at the Aids Concern charity event. With 30 tracks overall, Anthony's Bauhinian Rhapsody promises non-stop live pleasure.

A poor scholar named Lo Chih-Chiu, played by Anthony Wong Yiu-Ming, rescues a swallow from three mischievous boys, and frees the bird afterward. The bird then magically takes the form of a beautiful lady named Hsiao-Hseuh, played by Cherie Chung, who falls in love with the scholar because he had saved her life. She returns the deed by rescuing him from a ruthless band of warlords. She and her sister, Hsiao-Shang, are both originally swallows, but can change into human forms due to witchcraft and wizardry. Hsiao-Hseuh later confronts Chih-Chiu, and later reveals she is a servant of an evil witch queen, who feeds on human blood. When the witch discovers their friendship and bond, she was on the verge of destroying him, but Hsiao-Hseuh pleads for his life in exchange for their separation. After being back in the custody of the witch queen, Hsiao-Hseuh sneaks out and reunites with Chih-Chiu, but posing as a different person to hide her identity.

It had been a seven-year itch for fans of the disbanded Tat Ming Pair when they held their long-awaited reunion concert series at the Hong Kong Coliseum in April 2012. The legendary Canto-pop duo, who were famous for their socially conscious songs, sought to deliver through their timeless music a nostalgic and sentimental trip back in time as well as sociopolitical messages that were as relevant to contemporary Hong Kong as they had ever been. In addition to performing newly rearranged versions of their golden hits, Anthony Wong and Tats Lau also presented their new song It's My Party and an updated version of "Named in No Particular Order". The concert is now available on Blu-ray with 153 minutes of live footage in high definition, plus 10 concert MVs.

When 16th-century Ming guard Fong Sau-Ching sets out to capture vicious rapist Fung San, both men end up falling into a glacier to be frozen in time. Thawed out by scientists over 300 years later, the confused guard must learn to cope with the modern world and continue in his quest to vanquish his opponent.

One of the top wordsmiths in Canto-pop, Wyman Wong made pop history in February 2012 with a series of six sold-out concerts at the Hong Kong Coliseum to celebrate and showcase his illustrious career of 18 years and counting. These star-studded concerts featured Wyman's best works, chosen from his extensive repertoire by the man himself, and performed by over 40 guest singers - from the hottest stars to the very rare appearances like Amanda Lee, Shine, and Cass Phang - who showed up in designer costumes under the fashion-savvy lyricist's direction. Now you can relive such a sumptuous feast for the senses that is Concert YY on this 3-Blu-ray set, complete with 88 songs and a total running time of over six hours!

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

In late 1989, angered by comments made by Liv Ullmann about Hong Kong's treatment of Vietnamese refugees, Rubie composes a letter to the actress. Passages from the letter are revealed throughout the movie as Rubie, her friends, and family come to terms with the impending handover to China, and decide whether to remain in Hong Kong or emigrate abroad

Song Of Wanderers: Anthony Wong Live

A film that foretells three modern-day ghost stories, set in the City of Hong Kong. The first segment deals with a popular singer that mysteriously falls into a deep coma, and the public is unaware that his spirit is detained by the ghost of an obsessed fan of his. His plea for help is only recognized by his nurse. In the second segment, four college girls are assigned an unusual project, and their selected-topic is to "interview" the ghost of the "Braided Woman." When they encounter the streets where the ghost was claimed to roam, they find themselves in a mist of terror. In the third segment, two night-duty police officers stumble upon a mysterious crisis when their speed-tracking camera detects a image of an old woman. After the woman's first sighting, the officers encounter her in every place they go, and their only solution is to find out what she wants.

Sing runs into Icy when they are working for a concert. It's not until Sing finds Icy in a phonograph record shop that they know each other's name. Icy, along with Bowie and three other friends formed a band Voices

A young orphan boy is rescued from the sea and raised by a pirate lord. Here he and his young companions become skilled pirates of the South China Sea.

In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.

Four years later, Hong Kong’s 2014 democratic Umbrella Movement has been nominated for a Nobel Peace Prize, yet political backlash against protesters has intensified. Repeatedly the target of censorship*, Raise the Umbrellas traces the lineage of the massive Hong Kong protest to the global Occupy movement, 1989 Tiananmen, and its democratic struggles since British colonial days. Highlights range from the Umbrella Movement’s eco-awareness and its burgeoning aspiration for independence, to its empowerment of women -- “umbrella mothers” -- and the rainbow-bridging activism of LGBTQ iconic artists. Incisive and intimate, driven by stirring on-site footage in a major Asian metropolis riven by protest, Umbrellas includes anti-Occupy views that lay bare the sheer political risk for post-colonial Hong Kong’s universal-suffragist striving to define its autonomy within China.