Alfred Neugebauer

Vickie, short for Victoria, is crowned Queen of England and as such needs to learn the responsibilities of her new post.

It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.

A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.

A Hungarian squire and his son compete for the favour of an operetta diva; the younger makes the running. - Unplausible mistakes, small intrigues and a lot of love in an old-fashioned musical comedy with proven comedians.

Confusion comedy with musical interludes around a carnival ball, to dare the pretty shop assistant for a fashion store with one of the best gowns of her salon and posing in her embarrassment as the wife of a guest. - Harmlessly entertaining comedy, a little bit too poorly to bring to bear the first-time meeting of three most popular Austrian comic specialists Moser-Slezak-Romanowsky at that time appropriately.

In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together.

This Hungarian musical comedy (English title: Spring Parade) was produced by Joseph Pasternak, who later remade the picture in Hollywood as a Deanna Durbin vehicle. The original 1934 version stars Franciska Gaal as a Hungarian serving girl who heads to Vienna to visit a relative. Stopping over at an outdoor carnival, Gaal is told by a fortune teller that she will enjoy a happy marriage with a handsome and wealthy stranger. Later on, she finds herself at a fancy dress ball, where a good-looking aristocrat, assuming that our heroine is a countess masquerading as a peasant, falls in love with her. Delighted that the fortune-teller's prophecy seems to be coming true, Gaal finds herself in a dilemma when she falls in love with poverty-stricken soldier Wolf Albach Retty. But things turn out OK when Retty, the regimental drummer, composes a hit song which brings him fame and fortune, thereby neatly fulfilling that prophecy.

A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.

The love of a young Austrian aristocrat to a circus rider is put on a heavy load test when becomes obvious that the former officer has killed the brother of the young woman, a traitor of the country, in the duel.

Begun in Austria in 1944/45, finished and released in 1949, this is a biography of the minor Austrian composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.

The impoverished Count Lerchenau works under the name Rudi Lindt as a chauffeur. Because he is so well-loved by women, he lost his last position. His former servant Franz has not abandoned him in his time of need and the servant keeps trying to find a rich bride for the former Count. In the Grand Hotel, where the Count is supposed to be finding a suitable mate, he instead flirts with the attractive Alice. In order to get a job with the employer Ottokar Frühwirt, Rudi uses Count Lerchenau as a reference. But then the employer wants to speak with Lerchenau and Franz has to play the role of the Count. Alice, it turns out, is the employer's niece. When she finds out that Rudi is only a chauffeur, she wants nothing to do with him.

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Biopic about Ludwig van Beethoven.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.

When two Russian captains of cavalry came to a German post station one of them recalls what happened long time ago. He begins to tell the story: Ten years ago a comrade of them made a resting at the post station and fell in love with the station master's daughter. He promised everything to her and finally convinced her to come with him to St. Petersburg. When both arrived there she had to realize that her captain never had the intention to marry her.

Both the King and his son have been deposed by popular demand. The now Prinz of Arkadia certainly enjoys his new role, which without much changing his lifestyle leaves him free to concentrate on his main interest -women. Including an actress who once wrote a mocking song about him -a song that he likes to sing.

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

After a shady art collector is murdered, adept Dr. Sebastian Ott uncovers a massive organised fraud with fake paintings. His twin brother Ludwig is responsible, kidnaps him and locks him away in his house. He uses Otto's ID and 'replaces' him...

A film comedy about two beautiful women, two marry-able girls and a man!

Brother Martin is a creative, unusual, and understanding member of the order. He loves using unusual methods to raise money for the poor. But not everyone likes this. Finally, his opponents manage to have him placed under house arrest, but that's precisely when everyone needs his help. He tries to escape in order to offer advice and support to little Lena, the pretty Rosl, and the tailor Würmerl. But escaping isn't so easy, as he's trying to make two marriages and mend one...

With a certain degree of audacity, Girardi from Graz manages to gain a foothold at the Strampfertheater, a well-attended traditional theater in Vienna. However, his engagement as a new comedian leads to fierce competition with the theater's established star, Felix Schweighofer. Girardi's plans to entertain the audience at a high level are ultimately crowned with success, even though he is long underrated. He is hired by the Theater an der Wien, where, during rehearsals for a new operetta, he even persuades the strict Johann Strauss to compose an additional waltz for him. Girardi distills his special brand of comedy from events beyond the stage, from his own experiences. Confidently, the actor rises to become a favorite with the audience, against all odds. All of Vienna is enthusiastic about Girardi, singing his songs and applauding his shows.

There is great excitement in the Palazzo Urbino. Much to the delight of the ladies, the Duke, known as Don Juan, is expected. But the men of the city are less pleased by his arrival. Senator Delagua therefore decides to hide his beautiful wife in a convent and introduce the lady's maid to the Duke as his wife. When the Duke's valet devises a ruse of his own, the complications seem endless.

Franz Xaver Silvester Pomeisl travels thru the decades looking for the good old times.

Schalanter, once a prosperous craftsman is hit by the industrialization in Europe of the outgoing 19th century and self-inflicted negligence, he and his family - Gattin Barbara and the children Martin and Josefa - falls into considerable economic distress. More and more, the old man grabs the bottle and thus aggravates the economic situation. Schalanter is marked and predestined for a serious downfall and collapse.

A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.

1936 Austrian film.

"The fate of a beautiful woman" tells a story of Erika Dankwarth that reflects herself in a multitude of men.

Joseph Reiner, a talented music student, tries to get a contract from a film and music producer, aided by Annerl, the girl he loves, and his music school fellows. When famous screen tenor Lincoln gets suddenly indisposed he will have a chance, yet not exactly the one he expected.

Vienna, around 1900. The master baker Streussler’s most ardent wish is to see his daughter Nelly as a student at the university. With the help of his famous “streusel cake” he succeeds in luring all kinds of helpers for this endeavor into his house. But Nelly has entirely different plans: she is in love with the chimney sweep Heinz, the son of a neighbor, with whom Papa Streussler has been fighting for years. So it’s no wonder then, that the grump confectioner is doing everything he can to break up the relationship.

On New Year's Eve 1900, Paul Holzgruber started a new praxis as a radiologist. The young Maximiliane Frey is his assistant and they have worked side by side for years helping people. Holzgruber repeatedly points out the dangers of radiation to Maximiliane, but is silent about the ulcers on his hand and the severe pain they have caused. Maximiliane has gotten to know the widower Axel von Bonin and has fallen in love with him. But then she is diagnosed with incurable cancer. To spare Axel the inevitable grief over her impending death, she leaves him and dedicates what is left her life to medicine.

La Marquise de Pompadour desires the best tenor in France for her opera company, and after an extensive search in the provinces, Chapelou is selected and forced to leave his bride-of-an-hour to go to Paris. Alfer seeing the handsome tenor, the Marquise decides not to let his bride, Madeliane, join him in Paris. Graf de Latour, banished from the court for his bawdy song about La Pompadour, goes to the town where Chapelou has left his bride and sees an opportunity to get even. He takes Madeleine in hand and after exhaustive grooming and make-over he returns to court with her as his banishment has been lifted, and Chepelou, failing to recognize hie own wife, falls in love with her.

Director Richard Anden and his screenwriter take a cruise on a luxury liner, avoiding all feminine attempts to get a movie contract, including the ship singer. When he unexpectedly discovers that a beautiful passenger is involved in a murder mystery and chased by the police he'll try to save her from jail. Yet everyone has a secret in this Austrian musical comedy.

Vienna is celebrating New Year’s Eve 1913/14. It is the year, which will see the outbreak of the First World War. In Hotel Sacher, the mood is excellent; and although the political atmosphere is charged, there’s an undercurrent of hate and intolerance in the air. It is with this background that Nadja, a Russian spy, meets the Austrian civil servant Stefan. He loves her, but comes under suspicion of being an agent because of this love.

Popular comedy about a flower seller who cannot afford to pay a tax for having a little dog as her companion, and the new candidate for the post of burgomaster she endangers.

A nostalgic story about life in and around a classic Vienna coffee house. The film is set in Imperial Vienna at the beginning of the twentieth century.

A poor composer who should buy a property for his ambitious father-in-law finances with the money, nevertheless, an opera. Together with his friend who must play a husband to his strict rich aunt, he makes to himself a fun from the mistakes which cause her feints.

Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.