Jürgen Holtz

Alex Kerner's mother was in a coma while the Berlin wall fell. When she wakes up he must try to keep her from learning what happened (as she was an avid communist supporter) to avoid shocking her which could lead to another heart attack.

Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...

Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.

Two pairs of assassins are sent by a holocaust survivor's son to bring the last Nazi for a show trial in Israel.

A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well. When the king throws the farmer into jail for fraud, he bemoans the fact that he did not listen to his daughter.

The King of Malabunt has won another war, after decorating himself and his three wooden marshals, he dismisses his army with a low wages. One of his soldiers protest this and is thrown into jail, but he swears to someday return and take all the wealth of the king.

Four-part television film about the theologian Thomas Müntzer, who became a revolutionary and opponent of Luther during the Peasant War in 1525. December 1520: Martin Luther publicly burns the papal certificate threatening him with excommunication. The papal envoy demands the heretic's extradition to Rome. But the Saxon Elector Friedrich lets Luther grant. On the same day, Luther sends his friend and trailer Müntzer to Zwickau to continue the Reformation there. But Zwickau is also the city of oppressed cloth companions and great poverty. Müntzer consciously encounters the social hardship of the people for the first time and transforms from a pendant to the opponent of Luther. In the German Peasant War, he faces the superior princely army in the decisive battle near Frankenhausen as a leader of the insurgents.

Mike is twenty, attractive, intelligent and a loner. He only shares his thoughts and an apartment in a prefabricated housing estate in Rostock with his best friend Dustin. There, on the roof with a view of the sea, they smoke their joints and sort stolen goods. Mike doesn't think beyond the next day. But everything changes when he is caught by Konrad Böhm during a break-in. The charismatic businessman introduces Mike to a parallel world of international lobbyists and former GDR secret service agents who have saved their networks for reunified Germany.

It is the 65th birthday of Wilhelm Lehmann, foreman of a chemical company. All members of the large family are expected. Preparations are also being made in the company: Wilhelm is to be awarded the »Labor banner« and, as every year, the sons are responsible for the may bowl. But instead of family members, telegrams with rejections flutter into the house.

Erik has is own motorbike workshop in a sleepy little town. He may have the telling word ‘scoundrel’ tattooed onto his lower arm but he nonetheless creates an impression of a well-behaved average Joe. His relationship with his girlfriend Julia is going well and her daughter Linda is very fond of her new Dad. But then all of a sudden the mysterious Henry appears and begins following him about like a sinister shadow. The more Erik tries to shake off his diabolical guest the more Henry intrudes into his life. But then when a violent gangster named Keitel enters the fray and threatens not only Erik but Julia and Linda, Erik’s seemingly ideal world begins to run off the rails.

A horror comedy directed by Gert Steinheimer.

Europe in 1793. For years, England and France have been at war with each other. Now, France sends three men to the British colony of Jamaica to organize a slave revolt. The envoys are Debuisson, the grandson of a Jamaican rum manufacturer, who knows the island very well, his old friend Sasportas, and the sailor Galloudec. After having established contact with the fragmented rebel groups, they receive the surprising news of Napoleon′s takeover in France. Whereas Debuisson, who by now has gotten used to his role as a rich heir, wants to wait for new instructions from home, his companions are determined to press ahead with the revolt. When a slave kills a British guard, the situation escalates.

The corner Schönhauser Allee in East Berlin is the main meeting-point for a group of adolescents. Dieter is a construction worker who falls in love with Angela. She, in turn, spends time with the clique whenever her mother is occupied with her new lover. "Kohle" stays away from home to avoid his dad's alcohol problem, and Karl-Heinz is on his way to becoming a small-time criminal. Due to their interest in western music and culture they are regarded as no-goods and rowdies. Things get interesting when an incident forces Dieter and "Kohle" to escape to West Germany. Written by c.winter

The son of a farmer is bathed in his blood in front of an isolated mountain hut. There is no record of the attacker. Two investigators disappear without a trace. Years later, policeman Brenner sets out to find his colleagues.

The relationship nightmare with horror Uschi has thrown the prickly neurotic Roland onto the psycho couch. His long-time friend and roommate Ferdinand is there to hold his hand. They both share a symbiotic dependency: Roland's financial contributions have so far saved the bohemian and his Renate from total bankruptcy, while Ferdinand has always steered his yuppie friend through his mental crises. But then they discover an old common ground that drives a wedge between the friends... The heroes are in terrific form in this wonderful mimosa duel. It's briskly told and has a few surprises in store.

The lively Else does not allow herself to be restricted by the Jewish traditions that are intensively cultivated in her family.

Political satire about the billion-euro loan to the GDR in 1983, which was arranged by Franz-Josef Strauß and Alexander Schalck-Golodkowski to save a bankrupt bank.

Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.

The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...

Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

After meeting the woman on the train Erwin Retzmann kills her in the forest.

A little everyday story about a man, his wife, her father, an old friend, and a few scenes from the unspectacular lives of ordinary people. Shot in a Berlin apartment with its authentic interior, the cinematic chamber play comically tells the story of the end of a marriage.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.

The Polish Army fights to liberate Kołobrzeg from the Germans in the final months of World War 2.

Franz Xavier Stannebein, a young boy at the turn of the 20th century, wants to do nothing more than fly. He carries this dream through his years at an orphanage and into adulthood as a merchant in Spain. He eventually invests everything he has into building his own version of an airship. He later meets some industrialists in Germany who want to support his idea, and they ask him to build an airfield in Spain. When he sees the Nazis use the field during the Spanish Civil War, however, he feels betrayed and goes to Germany to protest. There he is thrown into an insane asylum in Leipzig. After WWII, his grandson and other survivors of the family searches for him, only to find the empty asylum... Based on the novel Das Luft-Schiff. Biografische Nachlasse zu den Fantasien meines Grossvaters (1974) by Fritz Rudolf Fries. The non-camera animation in the film was created by internationally known director Lutz Dammbeck.

Adaptation of Antoine de Saint-Exupéry's novella for East German television, produced in 1965/66, not shown until 1972.

A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.

It is the time before the First World War - in a fishing village on the Baltic Sea coast, the unusual love story of the young, ambitious lawyer Belling and the fun-loving actress Franziska begins. The young couple believes in career in the neighboring big city, would not be there the rich businessman of Elchem, who limits their love power of his money. Franziska has found an admirer and patron in the entrepreneur - a woman between two men who plays, but cleverly he makes the couple financially dependent on himself... The film adaptation of the novelle by Heinrich Mann describes the moral decay of a social layer fixed on success and money at the beginning of the 20th century.