Evie Campbell

In a world previously untouched by the supernatural, all dead bodies suddenly disappear and 46 deceased individuals mysteriously return to life. Among the resurrected is Heather, the sister of police officer David Thompson. David, along with his journalist wife Fiona, are drawn into the heart of this global enigma. They enlist the help of scientists Bryan Carter and Samantha Willis, who specialize in cellular regeneration and necrology, to unravel the mystery. The team discovers unsettling patterns and hidden truths about the resurrected individuals, who are exhibiting strange behaviors and slowly transforming into something otherworldly. Fiona's investigation leads her to a Satanist organization that may be behind the mass disappearance and resurrection. The stakes escalate as they realize the resurrections are not miraculous, but sinister, and a race against time begins to prevent a catastrophic event that threatens to unleash a nightmarish force upon the world.

Set at a remote beach house rental, the story follows two couples — one straight, one lesbian — as they awaken from a night of celebration to find that the internet, smartphones, and all forms of modern digital technology never existed. With only a landline, analog TV, and a CD stereo system in sight, the five friends are thrown into an alternate version of reality that feels like the 1980s — despite the newspaper still reading March 2015.

Howard Stern, once the most adored actor in the world, falls from stardom when his wife Mary is found dead under suspicious circumstances. Though acquitted in court, he’s convicted in the public eye, becoming a symbol of tabloid shame. Disgraced and reclusive, Howard vanishes from public life, retreating to his coastal estate in Brindleton Bay.

On Christmas Eve in the year 2287, Jack Collins, a freshly appointed Overseer, is excited to celebrate his first holiday in charge of Vault 71. But just days before, a mysterious virus sweeps through the community, killing every inhabitant but Jack. Unable to accept the mass death around him, Jack dissociates entirely from reality.

Simterview with the Vampire is a 36-minute machinima mockumentary created using The Sims 3. Acclaimed journalist Jonathan Parker (Dean Roman Castiglione) accepts a mysterious invitation from Anastasia Vassiliev (Aylin Baykal), an ancient vampire intent on revealing her true nature to the world. Jonathan arrives at Anastasia’s mansion in the Hollywood Hills, where he is welcomed by her loyal familiar, Penny (Alvin Soprano). Throughout the interview, Anastasia shares her personal history and her philosophy on vampirism, while introducing Jonathan to her adopted vampire daughter Natalia Svetlitskiy (Evie Campbell), who remains forever fourteen. As night turns to dawn, the interview takes a darker, increasingly unsettling turn—culminating in a revelation that changes everything.

Sanctuary Hills is a 24-minute animated machinima drama created using Fallout 4 and Blender. Set during the final hours of the Sino-American War, the film follows the Washingtons, the only Black family in a gated community, who are denied access to the nuclear vault they paid for due to government-enforced racial discrimination. As the bombs fall, they are left to die—only to survive through a horrific mutation caused by radiation. Transformed and enraged, the Washingtons return to claim vengeance on the community that betrayed them.

Seven years after the devastating vampire attack on Sunset Valley, Samantha Barnett (Alvin Soprano) remains the sole survivor of her family and Sunset Valley. Haunted by her past and determined to end the vampire threat, she travels to Midnight Hollow — a town cursed to eternal darkness except for two rare days a year when sunlight briefly breaks through.

Set near the cursed Hellfrozeover Lake, the story centers on Billy Bob (Zachary Chambers), a reclusive and mentally impaired man who stalks young campers engaging in premarital sex. Raised by his puritanical and deeply traumatized mother (Belinda Soprano), Billy was taught that sex is evil and that his disability is a divine punishment for his mother’s own non-consensual encounter with a family member.

O, a creator who has become lost within his own creation. As Death arrives at 3:33 am—the witching hour—to claim him, O is forced to confront the flaws in his work and his own mistakes. Through a series of flashbacks, the film reveals O's influence on the world he built, using various characters from different eras to maintain his followers' worship. The narrative explores themes of creation, legacy, and the consequences of a creator’s flawed intervention in their own work, ultimately suggesting that his removal is the only way for the game (a metaphor for life) to be truly fixed.