Marcel Pagnol

The life and works of Marcel Pagnol, shown through the countryside from which he gained his inspiration, and the people he knew.

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

The works of Marcel Pagnol are a veritable monument of French cultural heritage. Based on previously unseen archive material, film extracts, novels, plays, interviews and letters, the film pays tribute to the major author and popular filmmaker, who made his life a work and his work a life's project.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

To his chagrin, young Marcel Pagnol and his family move back to their home in Marseille, France, far from their pastoral holiday cottage in the hills. Determined, Marcel makes the long voyage back to the cottage on foot and lands himself in trouble. One day Marcel's father discovers a shortcut to the cottage, but it requires trespassing. Despite their trepidations, Marcel and his family begin using the secret trail to reach their cottage.

Raised by his science teacher father, Joseph Pagnol, and seamstress mother Augustine, young Marcel grows up during the turn of the century in awe of his rationalist dad. When the family takes a summer vacation in the countryside, Marcel becomes friends with Lili, who teaches him about rural life.

Marseille, July 1905. Nearly a teenager, Marcel Pagnol embarks in his last summer vacation before high school and returns, at last, to his beloved hills in Provence. What begins as a summer of boyhood adventures becomes one of the first loves, and unearthed secrets.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other - fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

Angèle is a 1934 French drama film directed, produced and written by Marcel Pagnol. It stars Orane Demazis as a naive young woman who is seduced and abandoned. It is based on the novel Un de Baumugnes by Jean Giono.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide…

Franz Schubert retired from Vienna in country for musical writing. He draws his inspiration from a romance with the watermiller's daughter. An operetta in the fifties Vienna style. This is the only movie from Marcel Pagnol in color and the only movie in rouxcolor, a French experimental process derivated from the agfacolor German process.

Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...

This is the story of a wealthy bourgeois who marries his only child, a daughter, to a penniless nobleman because he hopes to use his son-in-law to get a title. The son-in-law is a lazy, affected stereotype; but M. Poirier is also a stereotype, of the obnoxious big businessman. The poor daughter, who falls in love with her husband, lets him walk all over her.

Set in the countryside of Provence, the film is based on three tales from Alphonse Daudet's 1869 short story collection Letters from My Windmill: "The Three Low Masses", "The Elixir of Father Gaucher" and "The Secret of Master Cornille".

A rural maiden's two suitors go off to war, leaving her pregnant.

Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.

It's the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She's kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He's handsome and teasing. Her father's friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she'll carry his child, and he'll be gone, and the family will have to deal with this out-of-wedlock pregnancy...

Cigalon (Alexandre Arnaudy) manages a restaurant in a small town in Provence. A chef with a high opinion of his past culinary achievements, he makes no effort to attract customers and is rude to those who venture into his establishment expecting to be fed. To Cigalon, gastronomy is the greatest of all the arts, and so he is naturally aghast when a former laundress named Madame Toffi (Marguerite Chabert) opens a restaurant next door to his. Madame Toffi does not share his elevated notions and intends to serve meals to the general public - an appalling prospect! While Cigalon's restaurant remains empty, Madame Toffi's is always busy. To prove he's the better chef, Cigalon must now start catering to the whims of paying customers or be forced out of business.

"Merlusse" is French schoolboy slang for codfish, and M. Blanchard, a professor at a certain lycée, was known to his victims by that name. On Christmas Eve, when some twenty of the students—orphans, foreigners or just plain "unwanteds"—had to remain in the boarding school, Merlusse is placed in charge. His glass eye glares at them stonily, his good one with no less severity. He sets them to tasks, marches like a proctor up and down the aisles, exacts to the utmost the last measure of discipline. But when the youngsters awake in the morning, there are toys by each bed in the dormitory and M. Blanchard, no longer to be called Merlusse, is exposed for the softhearted fraud he is.

After he gets fired from his job as a teacher, Hamouda works in a company, and soon discovers that the manager is doing illegal work. He's offered to take part in the fraud and scheme, he quickly learns the ropes and becomes wealthy.

Toine, the local hunchback, works at the tile manufacturing plant, but during the summer, he gives a hand to Micoulin, the farmer, thereby being able to spend more time close to Nais, Micoulin's daughter. That summer, the estate owner's son, Frederic Rostaing, decides to rest on the farm during his vacation from Law school. But his real motives are to seduce young Nais, whom he knows from their childhood days, after having seen her in town. Who will win the power struggle between the possessive father, the naive daughter, the vile student and the golden-hearted cripple?

In the French port of Marseille, a young woman named Madelon is in love with a young sailor, Marius. Discovering she is pregnant after Marius sets out to sea for several years, she marries another man to prevent the child being born out of wedlock.

Japanese adaptation of Marcel Pagnol's play "Marius", set in early XXth century Japan.

Dardamelle does not conceal the fact that his wife has made him a cuckold.How will his fellow townspeople react?

Dardamelle does not conceal the fact that his wife has made him a cuckold.How will his fellow townspeople react?

An Egyptian version of Topaze, adapted from the famous Pagnol play.

Marius has gone to sea and left Fanny, who turns out to be pregnant. When Panisse still remains willing to marry her, she accepts in order to safe face.

Fanny tries to make Marius jealous by flirting with the much older Panisse. Although Marius admits he has strong feelings for her, his first love is the sea.

When Panisse dies of old age, his last wish is for 20 year old Césariot to learn about his true parentage. So the boy visits his real father, who fixes cars in Toulon, but he does so under an assumed name.

Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.

"Merlusse" is French schoolboy slang for codfish, and M. Blanchard, a professor at a certain lycée, was known to his victims by that name. On Christmas Eve, when some twenty of the students—orphans, foreigners or just plain "unwanteds"—had to remain in the boarding school, Merlusse is placed in charge. His glass eye glares at them stonily, his good one with no less severity. He sets them to tasks, marches like a proctor up and down the aisles, exacts to the utmost the last measure of discipline. But when the youngsters awake in the morning, there are toys by each bed in the dormitory and M. Blanchard, no longer to be called Merlusse, is exposed for the softhearted fraud he is.

Marius is torn between the love for Fanny on land and the desire to go out to sea.

A tale of a socially inept schoolmaster who must confront his own principles.

Adaptation of Marcel Pagnol's 1931 play Fanny.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…

Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…

Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…

Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

César runs a bar along Marseilles' port, assisted by his 23-year-old son, Marius. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, wise spirit, tries to guide his son.

César runs a bar along Marseilles' port, assisted by his 23-year-old son, Marius. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, wise spirit, tries to guide his son.

César runs a bar along Marseilles' port, assisted by his 23-year-old son, Marius. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, wise spirit, tries to guide his son.

In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol's childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel - the young boy he used to be - appears to him as if by magic. Together, they will explore Marcel Pagnol's incredible life and bring back to life his most cherished encounters and memories...

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...

Franz Schubert retired from Vienna in country for musical writing. He draws his inspiration from a romance with the watermiller's daughter. An operetta in the fifties Vienna style. This is the only movie from Marcel Pagnol in color and the only movie in rouxcolor, a French experimental process derivated from the agfacolor German process.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

The last episode of Pagnol's memories (see also "La Gloire de Mon Père" "le Château de Ma Mère" and "Le Temps des secrets") deals with the teenage years of Marcel. While always spending his Summers in his dear Garrigue, he is now on the way to the Baccalaureat. He 's got a good pal Lagneau (The Lamb) who of course infuriates the teachers when he "bleats"...

The story takes us from the dear Garrigue to the secondary school where Marcel is first ill at ease because he is a scholarship holder and because he went to the grade school (the other bourgeois pupils had probably a private tutor). A fight against a rich kid ,that augurs badly for what is to follow. (to be followed in "Le Temps des Amours" )

An honest and naive schoolteacher gets a lesson in how the world works outside the classroom, when a rich Baron and his mistress use the teacher's name and outstanding reputation in a crooked business scheme.

This is the story of a wealthy bourgeois who marries his only child, a daughter, to a penniless nobleman because he hopes to use his son-in-law to get a title. The son-in-law is a lazy, affected stereotype; but M. Poirier is also a stereotype, of the obnoxious big businessman. The poor daughter, who falls in love with her husband, lets him walk all over her.

Under the regime of Louis XVIII. Years after Waterloo, Napoleon's loyal officers live in retirement on half-pay. Useless and idle, they have lost their prestige and keep meeting in the hope of the Emperor’s return. When Napoleon dies, they decide to plot the rise to power of Napoleon II.

Under the regime of Louis XVIII. Years after Waterloo, Napoleon's loyal officers live in retirement on half-pay. Useless and idle, they have lost their prestige and keep meeting in the hope of the Emperor’s return. When Napoleon dies, they decide to plot the rise to power of Napoleon II.

(Hanan) is an attractive and beautiful young girl. She works as a secretary for the singer (Mamdouh). She is attached to Mohsen’s heart and emotionally attached to him. As a result of that connection, she falls victim when she surrenders herself to Mohsen. The result of that connection becomes a pregnancy, and here the situation becomes more serious. Mohsen has to leave Beirut for Brazil. To search for a job opportunity, he must leave the country immediately.

Co-produced by La Société Nouvelle des Films Marcel Pagnol, a picture of Corsica, confronted with post-war social change.

Film excerpts and songs reveal the atmosphere of Marseille: its industries, its port, its people. Toé, the director, was a close friend of Marcel Pagnol.

A rural maiden's two suitors go off to war, leaving her pregnant.

A short documentary about the Marseille harbor produced by Marcel Pagnol.

In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

Cigalon (Alexandre Arnaudy) manages a restaurant in a small town in Provence. A chef with a high opinion of his past culinary achievements, he makes no effort to attract customers and is rude to those who venture into his establishment expecting to be fed. To Cigalon, gastronomy is the greatest of all the arts, and so he is naturally aghast when a former laundress named Madame Toffi (Marguerite Chabert) opens a restaurant next door to his. Madame Toffi does not share his elevated notions and intends to serve meals to the general public - an appalling prospect! While Cigalon's restaurant remains empty, Madame Toffi's is always busy. To prove he's the better chef, Cigalon must now start catering to the whims of paying customers or be forced out of business.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

Madame Husson and her circle of holier-than-thou ladies (including an old maid Madame Cadenas)are looking for a chaste and pure girl who will win a hefty sum.

Mr. Topaze is an unassuming school teacher in an unassuming small French town, who is honest to a fault. He is fired when he refuses to give a passing grade to a bad student, the grandson of a wealthy baroness. Castel Benac, a government official who runs a crooked financial business on the side, is persuaded by his mistress, Suzy, a musical comedy actress, to hire Mr. Topaze as the front man for his business. Gradually, Topaze becomes a rapacious financier who sacrifices his honesty for success and, in a final stroke of business bravado, fires Benac and acquires Suzy in the deal. An old friend and colleague, Tamise questions him and tells Topaze that what he now says and practices indicates there are no more honest men.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other - fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

Angèle is a 1934 French drama film directed, produced and written by Marcel Pagnol. It stars Orane Demazis as a naive young woman who is seduced and abandoned. It is based on the novel Un de Baumugnes by Jean Giono.

Kid Marc is an upcoming boxer about to become the European Lightweight Champion, only he discovers his surprising victories had been handled by his manager, César Cannebois. This time, he vows to win on his own merits, to show his girlfriend how good he really is - and chiqué is stronger, and he loses in the ring. All glamour gone, everybody abandons him, save for his loyal and loving girlfriend. Régina is going to be his queen.

Kid Marc is an upcoming boxer about to become the European Lightweight Champion, only he discovers his surprising victories had been handled by his manager, César Cannebois. This time, he vows to win on his own merits, to show his girlfriend how good he really is - and chiqué is stronger, and he loses in the ring. All glamour gone, everybody abandons him, save for his loyal and loving girlfriend. Régina is going to be his queen.

In a small village of Haute-Provence, it is an event. The abandoned bakery comes back to life. Aimable and his wife Aurélie bring out the first batch of bread for the happiness of the inhabitants. Among the first customers, Dominique, a young shepherd, does not leave Aurélie indifferent...

Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide…

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

"Marius" takes place in Marseilles' Old Port, at the La Marine Bar, owned by César and his son Marius. Marius' biggest dream is to embark on one of the boats passing by his dad's bar and to set off to a faraway land. Fanny, a young and pretty seafood peddler, has secretly been in love with Marius since her childhood; Marius, never admitting it, has always loved Fanny. One day, a sailor drops by La Marine and offers him a job on an exploratory ship. Trying to hold him off and to make him jealous, Fanny confesses his love to him and provokes a fight between Marius and one of César's old friends, Panisse, a boat merchant, who despite his old age, has been courting Fanny for a while. Torn between the call of the sea and his love for her, Marius abandons his dream to be with Fanny who gives herself to him. As César and Honorine, Fanny's mother, are getting ready for the wedding, Marius changes his mind, drawn back to the call of the sea.

Almost 19-year-old Marius feels himself in a rut in Marseille, his life planned for him by his cafe'-owning father, and he longs for the sea. The night before he is to leave on a 5-year voyage, Fanny, a girl he grew up with, reveals that she is in love with him, and he discovers that he is in love with her. He must choose between an exciting life at sea, and a boring life with the woman he loves. And Fanny must choose between keeping the man she loves, and letting him live the life he seems to want.

"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius's father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

Pierre and Florence meet at the fair in Paris. They vow eternal love and go to Cassis, under the Southern sun. But Florence has a burdensome past: before meeting Pierre she was a kept woman. Her chivalrous lover, Dominique, chooses to set her free. But Pierre is an uncompromising man and, furious with Florence, threatens to leave her...

Pierre and Florence meet at the fair in Paris. They vow eternal love and go to Cassis, under the Southern sun. But Florence has a burdensome past: before meeting Pierre she was a kept woman. Her chivalrous lover, Dominique, chooses to set her free. But Pierre is an uncompromising man and, furious with Florence, threatens to leave her...

Pierre and Florence meet at the fair in Paris. They vow eternal love and go to Cassis, under the Southern sun. But Florence has a burdensome past: before meeting Pierre she was a kept woman. Her chivalrous lover, Dominique, chooses to set her free. But Pierre is an uncompromising man and, furious with Florence, threatens to leave her...

Anthology film by three directors, "A Day in the Country", "Jofroi" and "The Miracle".

A shy but righteous teacher - Topaze - with no social skills what so ever, gradually becomes aware of the realities of human societies and finally learns to master the rules at level far superior to his former mentor, Laurent Castel-Benac.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

Toine, the local hunchback, works at the tile manufacturing plant, but during the summer, he gives a hand to Micoulin, the farmer, thereby being able to spend more time close to Nais, Micoulin's daughter. That summer, the estate owner's son, Frederic Rostaing, decides to rest on the farm during his vacation from Law school. But his real motives are to seduce young Nais, whom he knows from their childhood days, after having seen her in town. Who will win the power struggle between the possessive father, the naive daughter, the vile student and the golden-hearted cripple?

A mild-mannered schoolteacher gradually abandons all his principles - and finds the success which has always hitherto eluded him.