Elena Wolff

Jasmin and Lee have been lovers for three years. When they decide to go on a hiatus in Lee’s mother’s home on the Austrian countryside, they are accompanied by their friend and documentary filmmaker Amira, who wants to capture queer love for her graduation film.

Philipp Hochmair, the newly appointed special investigator, and his partner Andreas Guenther immerse themselves in the equally dazzling and twilight world of the Prater showmen in the sixth "Vienna thriller". To solve the murder of a strikingly successful businessman, the opposing duo must not only uncover his secrets, but also get a tight-knit circle of suspects to speak up.

The reserved Julia has traveled to Vienna, especially to surprise her sister Johanna at her art performance. Johanna has rented a room for her feminist performance, hired two musicians and invited everyone she knows. However, the vernissage apparently turns into a miserably unsuccessful evening, which might bring the two siblings closer together again.

A woman ends up stranded at a gas station one night, where the manager and his friends are having a beer. It seems she didn't show up by chance, and a crazy night unfolds.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

Sophia and Lilian are not good for each other, but can't let go of each other.

Helene (86) and Toni (70) are completely different. One is planned and well-timed, the other impulsive and spontaneous. As an unlikely team, they embark on a journey to Switzerland for euthanasia. But their road trip through the mountains turns out differently than planned.

The novel “Fitness” by anarchic poet Stefanie Sargnagel is to be made into a film. The only condition on the part of film funding: Sargnagel should play herself. Surfacing alongside the author are numerous actors from the Viennese cultural landscape in cameo appearances to satirically dissect the Austrian culture industry and its mechanisms.

Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.

Two psychologists embark on a journey to the deepest point of the collective subconscious. What will they find there… and are they prepared for it?

Jasmin and Lee have been lovers for three years. When they decide to go on a hiatus in Lee’s mother’s home on the Austrian countryside, they are accompanied by their friend and documentary filmmaker Amira, who wants to capture queer love for her graduation film.

Jasmin and Lee have been lovers for three years. When they decide to go on a hiatus in Lee’s mother’s home on the Austrian countryside, they are accompanied by their friend and documentary filmmaker Amira, who wants to capture queer love for her graduation film.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

When Thora wakes up one day and is suddenly invisible, feelings of helplessness and desperation come thick and fast. But invisibility is also a superpower and in a flamboyant mask, Thora manages to seize her freedom. From an intimate distance, the camera is the only one that sees and makes visible both the lonely and liberating feeling of being air.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

She casts a fleeting glance at him, only to quickly look away again. Likewise, he takes a look at her, only to swiftly avert his gaze. The surroundings are gloomy, strange, somewhat uncomfortable, and slightly too cold. In the background, an overly loud bar concert and noisy backgammon players can be heard. She dares to look at him once more. But does he meet her gaze? Probably not.