Renata Carvalho

1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.

Geni spent her life keeping a secret and living in the shadow of Fran Lopez, a famous singer with many fans. Determined to change her story, she fights for her space and recognition

While Pedro Américo denies having fabricated fake news, Paulo Setubal reveals the Emperor’s innermost secrets.

The rise of the extreme right in Brazil from the perspective of artists whose works were censored.

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.

At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.

Cecília, a successful young model, returns to Recife, her hometown, to spend Christmas with her mother. One night, a neighbour she hadn’t seen for a long time, João, shows her a bottle with a mysterious and intoxicating green substance. Cecília begins to fall in love with João, but also discovers he is involved in a secret cult around the figure of Salomé, the luxurious biblical princess.

This film may not give you an answer, but it’ll show you some of mine.

A documentary that shows a body in social and family isolation, but the distance is not caused by the coronavirus, but by being a transvestite. Renata Carvalho is a character of herself, her voice tells us the historicity/transcestrality of her body and the structural transphobia.

The area around Catalan in Brazil’s state of Goiás is dry, very dry. Sandro’s life here is somewhat monotonous. He works in a fertiliser factory, goes swimming and spends his evenings doing jigsaw puzzles of landscapes. When Maicon, a man straight out of a Tom of Finland illustration, shows up in their small town and flirts with Ricardo, Sandro’s burgeoning feelings of jealousy set a change in motion.

Through artistic manifestations, a group of LGBTQIA+ people performs public stagings that raise debates on issues of gender, social inequality and prejudice in the streets of downtown São Paulo. Messing with the popular imagination and providing debates, the artists explain their daily struggles to anyone who is interested in acquiring a new perspective on the most subtle layers of intolerance.

In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.

Catalão, Brazil, 1984. The rural region of Batalha dos Neves is made up of large crop pastures, a few farms and divided in half by the São Marcos River. Antonio lives alone and isolated taking care of his small farm until the day he encounters Marcelo, a lonely motorcycler who suffers an accident crossing the region. Antonio takes care of Marcelo’s wounds. The two fall in love and live a story that transforms, destabilizes, and causes ruptures in each of them.

A collection of sensual and provocative male-centric LGBTQ+ short films including: Pedro Had a Horse, Monte, The Gemini Has Two Faces, Death is Not the End of the World, Cobalto, The First Kiss, and The Oddity in the Blue Crayfish.

A documentary that shows a body in social and family isolation, but the distance is not caused by the coronavirus, but by being a transvestite. Renata Carvalho is a character of herself, her voice tells us the historicity/transcestrality of her body and the structural transphobia.

A documentary that shows a body in social and family isolation, but the distance is not caused by the coronavirus, but by being a transvestite. Renata Carvalho is a character of herself, her voice tells us the historicity/transcestrality of her body and the structural transphobia.