Han Budding

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Registration of the third solo show by the Dutch comedian Hans Sibbel.

Registration of the first solo show by the Dutch comedian Hans Sibbel.

Second solo show by the Dutch comedian Hans Sibbel.

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.

Television adaptation of the theater performance of the same name by the Dutch Ruut Weissman and George Groot. The Dutch cabaret artists Jenny Arean, Frits Lambrechts, Lucretia van der Vloot and Kasper van Kooten revive the vanished Jewish entertainment in Amsterdam. Recorded in the Tip Top theater café of the Academie van de Kleinkunst in Amsterdam, which is on the same spot where the Tip Top Theater used to be.

Complete registration of the anniversary theater program, recorded in April 2003 in the Royal Theater Carré in Amsterdam. To celebrate the 25th anniversary of the Leids Cabaret Festival, a performance was created with the participation of more than twenty different comedians, including Wim Helsen, Kees Torn, Sanne Wallis de Vries, Erik van Muiswinkel, and many others.

In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.