Helena Makowska

A woman wears a turtle pendant as a sign of how she keeps her distance from men and marriage.

Based on an erotic short story, the film tells the story of a boy who meets a beautiful lover. It turns out that the mysterious girl is the ghost of a woman who died two years ago.

A former silent film actor who has saved old movies of his time from destruction uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.

In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

A homeless girl gets taken in by a painter.

A German circus drama.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.

The short film tells the story of Hamlet, who was forced to flee from the treachery of the usurper of the throne who had killed all the relatives of the young. But he will now return to the castle to avenge his father ...

The singer Cécile Hervey celebrates great achievements, while her sister Elda lives quietly with her aunt Claire on land. Elda is engaged to neighbor Bruno Leveson, but is irresistibly attracted by his brother Raoul, which she will marry. Raoul cheats on her, even before the marriage, with her sister Cecile.

Bulba's younger son Andry has fallen in love with Panochka since meeting her at the seminary in Kyiv. She is the daughter of the Polish provincial governor. Andry dreams of her and flees from school through a window to his beloved, climbs up a tree in front of her house and slips down the chimney into the house.

Only a fragmented 52 minutes from the film survive.

Judith, Count Robert de Bertan's daughter, is on holiday with her friend Louise and her father Marquis Emile de Fers. Meanwhile, banker Charles Delcourt has introduced De Bertan to the owner of a gambling-and-dance hall, Olga Tatschowas. De Bertan, unaware that his banker has lost the capital he gave him to invest at Olga's gambling tables, falls in love with Olga. He marries her, unaware that he is the victim of a plot hatched by Delcourt and Olga, who desires a title and De Bertan's possession.

Two young men move to the city in order to study. One of them gets entangled in a love triangle.

When Professor Horski learns that his wife has published a volume of novellas under his name entitled "Wife" he feels compromised and is angered at her. But as he reads them, he finds that they are great. Also, he reads in them a warning to himself: one should not neglect one's wife for the sake of academic work. The film is considered to be lost.

Italian short drama directed by Luigi Maggi.

Il Fiacre n. 13, from the novel of the same title by Xavier Henri Aymon Perrin, Count of Montépin, a highly prolific and much-loved author whose books were vehicles for the depiction of social inequality, narrating stories of love, death, betrayal, blackmail, and redemption. The sweeping narrative of Il Fiacre n. 13 was mutilated by the Italian censor’s suppression of its first part, the most cynical episode, which sets the scene for a scheme discernable in the other three episodes, as the story develops from a sordid murder through plotting and deceit to finally reach a happy ending.

Pierrot and Pierrette fall in love. But soon, Pierrette meets another man... Only the first part of the movie (282m, 16min) is preserved.