Heimo Haitto

On a train journey, Jaeger Corporal Martti falls in love with Sabina, a dancer from Liivi, who has also caught the eye of Baron Rolf. The intrigues of spies and the war cast shadows over the relationship between the beautiful dancer and the handsome Jaeger.

Unemployed Anna leaves her son Olavi to be raised by Antti, a shoemaker. When the shoemaker dies, Olavi is sent to an orphanage, from which he runs away with a cat and a violin under his arm. After many misfortunes, the talented Olavi becomes a student of a professor at a music academy and travels to London to compete in an international violin competition.

After ending up in an orphanage, Olavi sets out to find his mother. While playing the violin on the street, his exceptional talent catches the attention of a music school professor, who takes him under his wing.

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.