Stefano Giacomuzzi

Ulderica was a peculiar child, brave but at the same time afraid. Today she is an artist and retains the soul of the child she was. A never-before-seen portrait of the great Friulian photographer.

Stefano is a filmmaker commissioned to make a movie about the poet Rosanna Bertoja. The two discover they share an unusual interest: a passion for stones. Stefano feels he must start precisely from this strange affinity that unites them. The result is a portrait of a poet who is never seen writing verses: when poetry is discussed, it is done by talking about stones. Because, as Rosanna believes, poetry exists even without words.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

Stefano is a filmmaker commissioned to make a movie about the poet Rosanna Bertoja. The two discover they share an unusual interest: a passion for stones. Stefano feels he must start precisely from this strange affinity that unites them. The result is a portrait of a poet who is never seen writing verses: when poetry is discussed, it is done by talking about stones. Because, as Rosanna believes, poetry exists even without words.

Stefano is a filmmaker commissioned to make a movie about the poet Rosanna Bertoja. The two discover they share an unusual interest: a passion for stones. Stefano feels he must start precisely from this strange affinity that unites them. The result is a portrait of a poet who is never seen writing verses: when poetry is discussed, it is done by talking about stones. Because, as Rosanna believes, poetry exists even without words.

Ulderica was a peculiar child, brave but at the same time afraid. Today she is an artist and retains the soul of the child she was. A never-before-seen portrait of the great Friulian photographer.

Ulderica was a peculiar child, brave but at the same time afraid. Today she is an artist and retains the soul of the child she was. A never-before-seen portrait of the great Friulian photographer.

Ulderica was a peculiar child, brave but at the same time afraid. Today she is an artist and retains the soul of the child she was. A never-before-seen portrait of the great Friulian photographer.

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."