Damon Packard

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

Thad Vassmer documents the making of Damon Packard's Reflections of Evil for his short-lived series "The Independents".

An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."

Damon Packard parodies the making of Star Wars: Attack of the Clones

A bunch of really cool stuff happens, just watch it. Trust me.

Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.

Frankie in Blunderland tells the story of Frank Bellini, played by Aramis Sartorio (also known as adult film star Tommy Pistol). Frank's life is a mess. After a series of questionable events, Frank embarks on a surreal journey to find his wife after she is kidnapped. You've never seen anything like this dark comedic drama from the twisted mind of Caleb Emerson

In this horror anthology film, three girls pledge the most popular - and cruelest - sorority on campus. For their final task, they must tell the scariest story they know. Containing three distinct stories - one featuring a murderous doll, one a has-been actress and her run in with a film crew of the undead and, finally, a hunt-and-kill fright-fest.

When two strange men are thrown out of a mansion party, they take revenge on the socialites with a roll of duct tape and a switchblade.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.

A failed cartoonist scores a dangerous win at a high-stakes poker game, and flees the criminal underworld of Los Angeles with his resilient sex worker fiancé.

A surreal meditation on hopelessness and pointlessness as guided by the Arthur Frain/Merlin character from Boorman’s “Zardoz”.

An argument while driving results in a confrontation with the spirit of christmas.

Damon Packard’s re-work of William Girdler’s JAWS rip-off GRIZZLY is truly a labor of love. Expanding on the original with alternate cuts, added footage, and an “enhanced” mix, Packard adds a huge dose of hilarity and gore – most notably with a much louder guttural bear groan every time the classic Bear-POV cam appears, making its unnoticed approach on helpless campers even more hilarious. Whether you’re a fan of the original or a newcomer to GRIZZLY, you’ll find something to love here. Crack a cold one, sharpen your pencils and don your camo for this “extra scary” redux.

A collection of short experimental horror films, some well-known, some not.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."

A talented, but unbalanced girl named Foxfur is thrown into a philosophical adventure beyond time and space. Her first goal is to get her friend Khris to drive her to a book store where she's hoping to find some answers, and there she also meets two UFO theorists. She then hears about this thing called The Dead Zone, and she fears that the world she knows might very well be that zone.

An omnibus of tales of horror and adventure by the master of suspense Damon Packard

Damon Packard parodies the making of Star Wars: Attack of the Clones

Damon Packard parodies the making of Star Wars: Attack of the Clones

Cursed demonic circus clowns set out on a vengeful massacre using tornadoes. A stripper, Elvis impersonator, truck driver, teen runaway, and a dude get caught in the supernatural battle between femme fatal and the boss clown from hell.

Documentary on the making of "Messiah of Evil," the surreal horror cult classic written by Willard Huyck and Gloria Katz, directed by Willard Huyck. Includes interviews with Huyck and Katz as well as cinematographer Stephen M. Katz, editor Billy Weber, co-editor and actor Morgan Fisher.

A surreal meditation on hopelessness and pointlessness as guided by the Arthur Frain/Merlin character from Boorman’s “Zardoz”.

Groovy short film homage to tripped-out early '70s horror fare.

A remake of 48 Hours that is literally 48 hours long.

What began as a simple Rifle grenade video turned into a somber music video treatise of the homeless street zombie Fentanyl crisis.

A talented, but unbalanced girl named Foxfur is thrown into a philosophical adventure beyond time and space. Her first goal is to get her friend Khris to drive her to a book store where she's hoping to find some answers, and there she also meets two UFO theorists. She then hears about this thing called The Dead Zone, and she fears that the world she knows might very well be that zone.

"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.

Tales of the Valley of the Wind composes an experimental love-letter to the spiritual world of Hayao Miyazaki, re-figuring [Nausicaa] into lush live-action scenes with period costumes, horses, swordplay, and, er...puppets. All on a tiny budget, Packard implements his signature experimental touch to create a very unique fan-film indeed.

An omnibus of tales of horror and adventure by the master of suspense Damon Packard

A gonzo, surreal mocumentary about chemtrails, conspiracy theories, mass hysteria, HAARP, Art Bell, 9/11, and other sundry bizarro elements.

Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.

Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.

"In the stillness and the dark before time ever began," opens a faux-trailer for APPLE, "there was a different incantation"; Maverick filmmaker Damon Packard, "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. An unfinished Super 8 micro-epic, APPLE's twenty-seven-minute rough-cut offers a glimpse into a fantastic world.

Second in this series of lost and in-completed amateur Super8 films is "Amazing Stories", a 1983 vignette piece of short sketches. Based on the early pulp magazine. (pre-dates Spielberg's Amazing Stories)

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

Like sucking powdered Kool-Aid straight out of the packet, this bad acid-laced concentrate of TV promos and bumpers sets off a demented flashback to Tom Jones, Sage Stallone, and the cast of Star Trek.

"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.

A talented, but unbalanced girl named Foxfur is thrown into a philosophical adventure beyond time and space. Her first goal is to get her friend Khris to drive her to a book store where she's hoping to find some answers, and there she also meets two UFO theorists. She then hears about this thing called The Dead Zone, and she fears that the world she knows might very well be that zone.

Director Damon Packard's non stop phantasmagorical mayhem featuring a 90min collection of short films, music videos and sketches spanning the late 80s to the late 2000s. From the director of Reflections of Evil and Foxfur.

"In the stillness and the dark before time ever began," opens a faux-trailer for APPLE, "there was a different incantation"; Maverick filmmaker Damon Packard, "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. An unfinished Super 8 micro-epic, APPLE's twenty-seven-minute rough-cut offers a glimpse into a fantastic world.

"In the stillness and the dark before time ever began," opens a faux-trailer for APPLE, "there was a different incantation"; Maverick filmmaker Damon Packard, "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. An unfinished Super 8 micro-epic, APPLE's twenty-seven-minute rough-cut offers a glimpse into a fantastic world.

commissioned by Sheffield

An unfinished Mad Max like SF short based on a comic series by Paul Trainor.

Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.

A montage-based collage-film primarily bringing together elements of the cult classic all-time flop "Rollerboogie" (starring Linda Blair) and an "unfinished amateur short film" – with additional vido and audio elements from Star Wars, Xanadu, The Exorcist, and numerous other sci-fi and horror films.

A journey through Hollywood in 1970 takes us into a lost old Mansion high above the Hollywood Hills.

A journey through Hollywood in 1970 takes us into a lost old Mansion high above the Hollywood Hills.

An argument while driving results in a confrontation with the spirit of christmas.

An argument while driving results in a confrontation with the spirit of christmas.

Damon Packard’s re-work of William Girdler’s JAWS rip-off GRIZZLY is truly a labor of love. Expanding on the original with alternate cuts, added footage, and an “enhanced” mix, Packard adds a huge dose of hilarity and gore – most notably with a much louder guttural bear groan every time the classic Bear-POV cam appears, making its unnoticed approach on helpless campers even more hilarious. Whether you’re a fan of the original or a newcomer to GRIZZLY, you’ll find something to love here. Crack a cold one, sharpen your pencils and don your camo for this “extra scary” redux.

Damon Packard’s re-work of William Girdler’s JAWS rip-off GRIZZLY is truly a labor of love. Expanding on the original with alternate cuts, added footage, and an “enhanced” mix, Packard adds a huge dose of hilarity and gore – most notably with a much louder guttural bear groan every time the classic Bear-POV cam appears, making its unnoticed approach on helpless campers even more hilarious. Whether you’re a fan of the original or a newcomer to GRIZZLY, you’ll find something to love here. Crack a cold one, sharpen your pencils and don your camo for this “extra scary” redux.

A collection of short experimental horror films, some well-known, some not.