Vaishali Kasaravalli

Vishwa, a well-known artist, loses his mind after the death of his lover. Kamala, an admirer of his art, decides to help him recover.

Ganesha lives happily in a complex owned by Ramanamurthy. Things take a turn when he falls in love with Adilakshmi, the youngest daughter of Ramanamurthy who sings under the pseudonym Shruti.

Tabara Shetty serves the government till his retirement. But problems emerge after his retirement. Matters worsen when his wife and only companion falls sick.

Dr Roopa and Dr Nataraj get married and being both egoistic, and little arrogant, differences come up in their personal and Professional life where they run a Nursing home. Roopa suspects her husband of having an affair with another Doctor Vasanthi...Suspicions and neglect and duty conflict with each other and will their wedding stand this acid test?

Shriasthu Shubhamasthu is a 2000 Kannada film directed by Seetaram Karanth and produced by Prakash Babu NK. The film stars Ramesh Aravind, Anu Prabhakar, Srinivasa Murthy and Naveen Krishna in lead roles. Music was composed by K Kalyan.

America America movie is about three friends: Soorya (Ramesh Aravind), Shashank (Akshay Anand) and Bhoomi (Hema). After finishing their undergraduate studies, Shashank goes to US for higher studies. Soorya starts his business in his native. Bhoomi stays at home

When Raghu enters a dysfunctional family as a cook, he clears their misunderstandings and brings the members closer to each other. However, there is more to him than what he shows.

Lambodara, an unemployed witty young man takes advantage of weaknesses in people to his monetary benefit.

A middle-aged psychiatrist decides to marry Vasanthi, his recovering patient. Trouble ensues when his nephew also falls in love with her, which drives him insane. Influenced by George Bernard Shaw's 1913 play Pygmalion.

A young man chases love. He encounters three women. Infatuation. Fame. Friendship. He mistakes them for romantic love. And is disillusioned. Eventually his level-headed wife and some tenuous circumstances help him comprehend the meaning. The movie was predominantly shot in Bijapur. The movie paired newcomer Jai Jagadish with four heroines.

Kittu Puttu is a 1977 Indian Kannada-language comedy drama film directed by C. V. Rajendran and produced by Dwarakish. The film stars Vishnuvardhan, Dwarakish, Manjula, K. Vijaya and Vaishali Kasaravalli. The film was widely appreciated for its songs and story upon release. The songs tuned by Rajan–Nagendra were huge hits.

When Urmila, an actress, is murdered in cold blood, her lookalike, Usha, and Raju, an assistant director, fall in love as they set out to find the culprit.

Kashi and Anand fall in love with the same girl without knowing about her true intentions. However, in a twist of fate, their lives change forever.

Akramana (Kannada: ಆಕ್ರಮಣ) is a 1980 Indian Kannada film, directed by Girish Kasaravalli and produced by Sharath Kumar and S. Rao. The film stars Vijayakashi, Vaishali Kasaravalli, Padmashree and Chandrakumar Jain in the lead roles. The film has musical score by B. V. Karanth.[

Janaki leaves her son, Beera, with Kenchi and Jungappa. Years later, Janaki returns to take her son along with her, but Kenchi refuses to let Beera go.

Ramachandra Rao, a professor, is forced to marry Gowri at his family's behest despite being in love with Lalitha. He fails to get along with his wife and broods about his lost love. The movie is based on the novel of the same name by Vani. The film is considered as one of the greatest romantic films in Kannada noted for the strong performances of lead actors Rajkumar and Kalpana.

Rajashekhar earns the enmity of his business partners when he opposes their illegal plans. Circumstances force him to run from the police and he is separated from his wife in the process.

A ruthless ruffian sexually assaults an innocent woman, which traumatises her. However, with the help of that rape victim, he gets reformed into a better human being.

Lakshmi hires Anand to act as her husband for a month so that her late father's money and assets do not fall into the hands of her greedy relatives.

Prakash, a widower, is a government official responsible for confiscating lands acquired by criminals illegally. His son wants him to get a life and tries to find a suitor.

The film tells the story of four struggling friends aspiring to be musicians who accidentally meet a girl Shruthi who is in search of her lover. Shruthi joins the gang of friends and helps them change their fortunes in the music industry. The sudden arrival of Shruthi's lover takes a turn on their relationships.

The film revolves around the theme of a woman's life in her in-laws' house, highlighting the challenges and adjustments she faces.

A young man lands a job by making his employer believe that he is a man of traditional values. However, when suspected of lying, he makes up a false story about having an ill-mannered twin.

Mamatheya Madilu is a 1985 Indian Kannada film, directed by Eeranki Sharma and produced by J. Chandulal Jain

Though Shankara wants to build a wedding hall after breaking his house, the woman residing there, Sudha, objects to the preposterous plan.

A singer falls in love with a girl at a party, not knowing that she is the one who is writing him anonymous love letters. However, their lives turn upside down when he is diagnosed with blood cancer.

When Sandhya, a sane woman, is admitted to a psychiatric hospital by a criminal with maleficent intentions towards her family, Sudhakar assumes another identity to rescue her.

Rajanna and Geeta arrive in the city with the hope of building a cozy little home. When they find their dream house, their happiness knows no bounds. Things are fine till, one day, a loud workshop opens up next door.

The couple moves into a poorly built, noisy house in a compound housing a motor-mechanic's shop, causing no sleep.

The story of Rangajji, a widow who loves to tell stories of fantasy to the children of her village. Rangajji's hardships start when her only son dies young mysteriously. Rangajji goes to live with a distant relative of hers, only to receive a cold welcome. Life goes on endlessly for Rangajji. She longs to tell stories to children, but her freedom is severely restricted