Idrissa Ouedraogo

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

Within the framework of the “Half a Century of Locarno, Thoughts on the Future” project, seven directors, Idrissa Ouedraogo among them, have the chance to express their vision of the future of the film industry by means of a short film. “The state of the film industry the world is a vast issue,” says the director from Burkina Faso. “I would rather speak about my films, about African films and their relationship with the world”.

Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.

This documentary offers the reflections of filmmakers shot at FESPACO 1991. Djibril Diop Mambéty, David Achkar, Moussa Sene Absa, Mambaye Coulibaly, Idrissa Ouedraogo, Mansour Sora Wade... express their faith in the eternity of African cinema.

An anthology of short films inspired by the events of the September 11 World Trade Center attacks.

Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

Kini and Adams are two friends leaving in a Zimbabwe village who dream of repairing an old broken car, and moving to the city and starting life over.

Patrick, a young Frenchman in his thirties, has been working for a year in a small village in Burkina Faso. He has a relationship for a few months with a 25-year-old village girl, Kaya, who becomes pregnant. When their daughter Martine is born, Patrick flees with her to Europe. The shock of this loss makes Kaya mute. Seven years later, Patrick returns to the village to maintain the boreholes he had built. He arrives with his daughter Martine. The villagers welcome him with reservation. Patrick learns that Kaya has gone silent. Unfortunately, not being able to stay too long in the village, Patrick entrusts Martine to Kaya for a few hours. Discovering her daughter's poor upbringing, Kaya decides to run away into the night with Martine...

Patrick, a young Frenchman in his thirties, has been working for a year in a small village in Burkina Faso. He has a relationship for a few months with a 25-year-old village girl, Kaya, who becomes pregnant. When their daughter Martine is born, Patrick flees with her to Europe. The shock of this loss makes Kaya mute. Seven years later, Patrick returns to the village to maintain the boreholes he had built. He arrives with his daughter Martine. The villagers welcome him with reservation. Patrick learns that Kaya has gone silent. Unfortunately, not being able to stay too long in the village, Patrick entrusts Martine to Kaya for a few hours. Discovering her daughter's poor upbringing, Kaya decides to run away into the night with Martine...

This drama focuses upon the psychological adjustment problems of a young boy whose family moves him from Africa to Paris, France. Moctar, a boy whose first 11 years were spent in a small village in Mali, is having difficulty adjusting to his new life in Paris. After several years in Paris, Moctar suddenly sees a terrible hyena in the street. When Moctar tries to explain his vision, he becomes the laughingstock of his peers and a patient for the school psychologist. No one believes Moctar, not even his parents, until he is befriended by Paulo who helps Moctar understand.

During a robbery at a petrol station in town, one of the accomplices is shot dead. The other, Samba Traoré, flees with the loot: a suitcase full of banknotes. After years away, he returns to his native village. Life has gone on as usual, and Saratou is as beautiful as he remembers her. Director Idrissa Ouedraogo paints a portrait of a man haunted by his past, trying to rebuild his life and start afresh. But past mistakes never stay buried for long.

Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.

Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.

In a Mossi village (in Burkina Faso), two elderly men make traditional wooden bowls used for everyday purposes. The work is difficult and meticulous, and has been abandoned by young people who seem to have left the village.

Issa is a traditional weaver in Burkina Faso who loves his trade. However, so as not to lose his clientele and continue making enough to keep his wife, Issa finds himself forced to sell Western clothes.

Short directed by Idrissa Ouedraogo.

Directed by Idrissa Ouedraogo.

Eugene, an idealistic young African farmer and musician, decides to leave his village and family momentarily to try out his luck in the city. He makes new friends there, who accompany him on his musical career. He also meets up with Kassi, a childhood friend who has become a prostitute, with whom a new, closer friendship begins. However, when she dies from AIDS, Eugene is confronted by the harsh reality that his spontaneity and innocence blocked out and decides to put his singing talents and fame as a singer to the service of fighting the disease of AIDS. Once back home in his village, the reunion with his wife and children make him realize that life and hope are more powerful than anything else.

Koudougou and Poko, a young couple, await the birth of their first child. Unfortunately, the pregnancy does not go well for Poko. First, the village midwife examines her, but to no avail. The village council meet and decide Poko should go into town for treatment.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Within the framework of the “Half a Century of Locarno, Thoughts on the Future” project, seven directors, Idrissa Ouedraogo among them, have the chance to express their vision of the future of the film industry by means of a short film. “The state of the film industry the world is a vast issue,” says the director from Burkina Faso. “I would rather speak about my films, about African films and their relationship with the world”.

For love, a young woman wants to leave her family and her country, which the other young man who loves her cannot understand.

During a robbery at a petrol station in town, one of the accomplices is shot dead. The other, Samba Traoré, flees with the loot: a suitcase full of banknotes. After years away, he returns to his native village. Life has gone on as usual, and Saratou is as beautiful as he remembers her. Director Idrissa Ouedraogo paints a portrait of a man haunted by his past, trying to rebuild his life and start afresh. But past mistakes never stay buried for long.

During a robbery at a petrol station in town, one of the accomplices is shot dead. The other, Samba Traoré, flees with the loot: a suitcase full of banknotes. After years away, he returns to his native village. Life has gone on as usual, and Saratou is as beautiful as he remembers her. Director Idrissa Ouedraogo paints a portrait of a man haunted by his past, trying to rebuild his life and start afresh. But past mistakes never stay buried for long.

20 short films about human rights.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.

The movie shows the rise and fall of a cruel and despotic village chief Guimba, and his son Jangine in a fictional village in the Sahel of Mali.

A king’s son takes over when his father dies.

Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.

Twelve international filmmakers create connections between humans and animals, through biodiversity, ecosystem, climate change, environment and water risks.

Twelve international filmmakers create connections between humans and animals, through biodiversity, ecosystem, climate change, environment and water risks.

The beautiful Awa, from a poor background, decides to marry for money rather than love and ends up with the much older Karim. While married, she continues to love the much younger Bouba. On the happy occasion of Awa’s birthday, a macabre plan is to be set in motion.

This drama focuses upon the psychological adjustment problems of a young boy whose family moves him from Africa to Paris, France. Moctar, a boy whose first 11 years were spent in a small village in Mali, is having difficulty adjusting to his new life in Paris. After several years in Paris, Moctar suddenly sees a terrible hyena in the street. When Moctar tries to explain his vision, he becomes the laughingstock of his peers and a patient for the school psychologist. No one believes Moctar, not even his parents, until he is befriended by Paulo who helps Moctar understand.

A king’s son takes over when his father dies.

An anthology of short films inspired by the events of the September 11 World Trade Center attacks.

Karim's father is missing and presumed dead, which is why his father's brother has taken over the house and is now his stepfather: this is the custom in Burkina Faso. This would be all right with Karim, except that his new stepfather is a harsh, unloving man, who would just as soon beat him as look at him, and he is the same way with the lad's mother. At the same time, Karim has made friends with Sala, a girl from a wealthy family, starting from when he gave her a baby goat-kid. Their friendship prospers enough so that, when Karim and his mother leave the abusive uncle carrying only what they are wearing on their backs, Sala is able to persuade her family to help them settle safely elsewhere. When Karim's father turns up at last, it is icing on the cake, for they are now able to send the obnoxious man who overshadowed their lives away in disgrace.

Kini and Adams are two friends leaving in a Zimbabwe village who dream of repairing an old broken car, and moving to the city and starting life over.

A dwarf born into an intolerant village meets a farmer who teaches her about love, friendship and sacrifice.

Ouagadougou, September 2001: Adamà is a boy who is forced to leave school and work as a newsboy in order to pay for his sick mother's medical treatment. Two weeks after the attacks, Adamà sees a man who looks very similar to Osama bin Laden and decides to capture him with the help of his friends, in order to claim a $25 million bounty. Idrissa Ouédraogo's short for 11′09″01 September 11.

The ceremonies at the royal funeral of Larlé Naaba Abga, one of the ministers of the emperor of the Mossi people, the ethnic group to which the majority of the people in Burkina Faso belong.