Zsolt Körtvélyessy

Anyegin arrives home in an abandoned castle for his uncle's funeral. He is a misanthropic, tired, cynical man who has seen it all, tried it all and is tired of what others - including his young neighbour, Lensky - consider the meaning of his life. At Lensky's invitation, he visits the Larin's estate, where he meets Tatiana, a young girl under the spell of books and a fan. Tatiana falls in love with Anegin and confesses her feelings in a letter...

Following his wedding, Feri left the co-operative and is now working on the land of his father-in-law. Tóth is extremely wilful and thrifty, working from early morning to late night, pushing his family as well.

Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.

Based on Victor Hugo's famed novel, the story of Quasimodo, the deformed bell ringer of Notre Dame, and his unrequited love for the gypsy girl, Esmeralda.

A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.

István, a király ("Stephen, the King") is a Hungarian rock opera written by Levente Szörényi (music) and János Bródy (lyrics), based on the life of Saint Stephen of Hungary. The storyline was based on the play Ezredforduló (Turn of the Millennium) by Miklós Boldizsár, who co-wrote the libretto. The opera was first staged in 1983 on an open-air stage in Budapest. This first performance was also made into a 1984 film, directed by Gábor Koltay, and its music released on an album. The musical became a smash hit and is still very popular in Hungary and among Hungarian minorities in neighboring countries.

Margó and Ildi are good friends. Margó lives with her simple, conservative parents, her fiancé is a roadie, her lover has been in prison for two years. Ildi was a pupil of a reformatory school, she buried an Araba husband already and her Rumanian partner is living in Paris. She lives together with a Yugoslavian man in a rented flat. Both are models at the Scholl for Fine Arts, attend an evening school and earn their money by selling their bodies. The lover of Margó, Attila is suddenly released. Margó and Ildi want to get rid of him, but Attila does not let them do that...

A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.

Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.

During the rising of nazism, Sylvia, a rich but sterile woman, needs an heir to inherit her father's money. So she bribes Irene, a Jewish girl, to have a child by her husband.

Filmed in commemoration of Hungary's 1100th anniversary and on the sites of the actual events, a cast of thousands authentically recreates the 896 AD arrival of the Magyar chief Arpad (Nero) and his seven tribes into the Carpathian basin from the steppes.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

Set during a turbulent era of disquiet, fear, persecution and terror, which permeates every corner of post-WWI Hungarian society. In 1919, after just a few months of communist rule the Hungarian Republic of Councils falls victim to a nationalist counter-revolution. Admiral Horthy, leader of the nationalist far right movement, becomes the self-proclaimed regent of Hungary, and assumes power as the legal Head of State. Soldiers of the short-lived Hungarian Red Army are now on the run from relentless secret policemen and patrol units of the nationalist Royal Gendarme. If caught, ex-Red Army soldiers are executed without mercy or proper trial. István Cserzi, a former soldier of the Red Army has fled to the Great Hungarian Plains and has taken refuge on a farm, which is run by two sympathetic women.

Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.