Ana Cristina Barragán

Sara is 23 years old and is blind. One morning she goes to her country house accompanied by her boyfriend Jose Luis, her cousin Carolina and her boyfriend Pedro. At first the trip seems to be quite fun, but there is a strange energy in this country house as a result of a very dark past. As time goes by, the truth begins to unfold, and the intentions of each of the characters engages them in unexpected carnal desires. All this happens around Sara's blindness.

In a small and strange town where the words don’t exist, Beueu will try to approach the girl Laralara.

An adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire.

Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.

Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

Sara is 23 years old and is blind. One morning she goes to her country house accompanied by her boyfriend Jose Luis, her cousin Carolina and her boyfriend Pedro. At first the trip seems to be quite fun, but there is a strange energy in this country house as a result of a very dark past. As time goes by, the truth begins to unfold, and the intentions of each of the characters engages them in unexpected carnal desires. All this happens around Sara's blindness.

Ana must spend the entire Sunday with Violeta, her younger sister, a strange and annoying girl.

Ana must spend the entire Sunday with Violeta, her younger sister, a strange and annoying girl.

A short film by Ana Cristina Barragán.

A short film by Ana Cristina Barragán.

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

Azucena, a woman in her thirties, approaches Julio, a teenage boy living in a group home, for reasons he doesn’t understand. As they spend time together, an uneasy closeness grows, changing the shape of a bond neither expected to find.

Azucena, a woman in her thirties, approaches Julio, a teenage boy living in a group home, for reasons he doesn’t understand. As they spend time together, an uneasy closeness grows, changing the shape of a bond neither expected to find.

A group of teenage victims of sex trafficking are temporarily living in a shelter hidden in the middle of a forest of frailejones. Between tenderness, anger, and complicity, the girls navigate their pain and seek to rebuild themselves as their time in the house comes to an end.

A group of teenage victims of sex trafficking are temporarily living in a shelter hidden in the middle of a forest of frailejones. Between tenderness, anger, and complicity, the girls navigate their pain and seek to rebuild themselves as their time in the house comes to an end.