Laura López Moyano

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Along one day, powerful Argentine Federal Judge Alberto Franccioni receives at his house different people from his inner circle asking for advice and council, typing their lives and grouping in power.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

The principal at a local high school has developed a reputation among the students and teachers for his unorthodox methods. When he comes down hard on the rebellious Cata for suspected drug use, he discovers there is more to her story. He sets out to help her, a decision with precipitous consequences.

A peaceful Christmas Eve is interrupted when a thief breaks into a villa. When the family’s little daughter mistakes him for Santa Claus and asks him to fulfill her Christmas wish, he will be forced to perform a miracle that will redeem secrets from the past.

Sara arrives in an empty apartment that she has to show a potential buyer. A voice disturbs her.

Death and the solitary pleasure of masturbation. Luis takes on an inner search looking for something that releases him from his anguish.

Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.