Álvaro Ogalla

In every attempt at subversion, there are two moments: the one just before, when everyone doubts and no one knows how to hide fear, and the one just after, when all that remains is to run and find a safe place, maybe in memory.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

Ana, a young Spanish woman from a bourgeois family, is about to finish her studies and get married, but she is not happy. After a very unlikely event happens, her life turns around and everything changes.

Every summer night, in some small towns, locals and vacationers gather in the town squares to enjoy the experience of watching an outdoor 35mm film screening. To make this event possible, there are people who work tirelessly on what may be their last days, as the traditional photochemical format is disappearing in favor of digital cinema. This documentary chronicles the summer journey of an outdoor cinema entrepreneur who is facing the forced restructuring that the digital age has imposed on film exhibition. As the director explains, "I wanted to tell the story of one of the people who has impressed me most throughout my professional career, Miguel Ángel Rodríguez, with whom I have worked on outdoor screenings during the summer for many years. He is the perfect protagonist to show the transition from celluloid to digital screenings."

Based on a personal experience of one of the directors, this film is an ironic tribute to the famous hidden camera television show called "Taxicab Confessions", and to New York City.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.