Nick De Ocampo

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

In Cesar Hernando's noirish short, the uprising and UFOs are merged in a strange commentary on government control.