Giedrė Beinoriūtė

Despite turning 30 this year, there are still some myths and legends about the Faculty of Film and Television yet to be uncovered.

Conversations On Serious Topics is a film without exterior action, props, landscapes or special effects. Its main characters are children and teenagers with a special ability to describe the surrounding world. Intimate conversations with them reveal the picture of the modern world -- at times melancholic, at times comical, at times dramatic. Shot in a minimalist fashion, the film raises questions about loneliness, love, God, the world and human relations. "The world is people." "Don't you believe in God? I can teach you how to start believing..."

A multimedia documentary project consisting of a series of fresh, colourful insider point-of-view short stories on the present-day life of young people, linked by animated episodes and directed by 15 young and talented filmmakers from the 15 republics formerly annexed by the USSR.

The documentary reveals the relationship between Vilnius public transport ticket inspectors and freeride passengers and at the same time it comments on our own daily rut, unfulfilled dreams and desire of a better life.

The documentary reveals the relationship between Vilnius public transport ticket inspectors and freeride passengers and at the same time it comments on our own daily rut, unfulfilled dreams and desire of a better life.

The documentary reveals the relationship between Vilnius public transport ticket inspectors and freeride passengers and at the same time it comments on our own daily rut, unfulfilled dreams and desire of a better life.

An ironic story about the unpredictability of human existence. The heroes of the film: two bloated grandmothers riding a velomobile, a young photographer capturing moments of sadness and joy, and his new acquaintance, a beautiful girl. Grandmothers think about impending death, young people - about eternal love. Unfortunately, not everything in life can be predicted in advance.

An ironic story about the unpredictability of human existence. The heroes of the film: two bloated grandmothers riding a velomobile, a young photographer capturing moments of sadness and joy, and his new acquaintance, a beautiful girl. Grandmothers think about impending death, young people - about eternal love. Unfortunately, not everything in life can be predicted in advance.

A story about the everyday life of five lonely friends filmed in an ironically grim documentary manner. Each of them has their own separate world of loneliness, but when they are together, they complement the company with their individual quirks. Having the same friends, they don't feel alone.

A story about the everyday life of five lonely friends filmed in an ironically grim documentary manner. Each of them has their own separate world of loneliness, but when they are together, they complement the company with their individual quirks. Having the same friends, they don't feel alone.

Soviet eighties. A little town in the periphery. After his parents' divorce, 11-year-old Rolanas and his dad move in next door to same-aged Emilija. Friendship is born between the kids, however, shyness or fear of opening up makes them communicate through the wall, sitting in their own balconies, or through a socket connecting their flats. Emilija's parents also appear to be on the verge of divorce. The children discover common topics, activities. Unfortunately, a nearly tragic accident prevents Emilija to go to the balcony. This encourages both children to set out for a "real" date.

An ironic story about the unpredictability of human existence. The heroes of the film: two bloated grandmothers riding a velomobile, a young photographer capturing moments of sadness and joy, and his new acquaintance, a beautiful girl. Grandmothers think about impending death, young people - about eternal love. Unfortunately, not everything in life can be predicted in advance.

Soviet eighties. A little town in the periphery. After his parents' divorce, 11-year-old Rolanas and his dad move in next door to same-aged Emilija. Friendship is born between the kids, however, shyness or fear of opening up makes them communicate through the wall, sitting in their own balconies, or through a socket connecting their flats. Emilija's parents also appear to be on the verge of divorce. The children discover common topics, activities. Unfortunately, a nearly tragic accident prevents Emilija to go to the balcony. This encourages both children to set out for a "real" date.

Based on a Lithuanian writer’s novel “Breathing Into Marble” the film focuses on the challenges of a modern family. It is a romantic ballad with the plot of a thriller. Izabele and Liudas – itellectuals living in a homestead near a big city and raising the son, Gailius, who has a case of epilepsy and is smarter than most children his age. Izabele convinces her husband to adopt a six-year-old boy who is unable to put down roots in this new family and always fights for mother’s attention. Director Giedrė Beinoriūtė speaks about relationships, invisible bonds connecting our lives and responsibility for each other.

Based on a Lithuanian writer’s novel “Breathing Into Marble” the film focuses on the challenges of a modern family. It is a romantic ballad with the plot of a thriller. Izabele and Liudas – itellectuals living in a homestead near a big city and raising the son, Gailius, who has a case of epilepsy and is smarter than most children his age. Izabele convinces her husband to adopt a six-year-old boy who is unable to put down roots in this new family and always fights for mother’s attention. Director Giedrė Beinoriūtė speaks about relationships, invisible bonds connecting our lives and responsibility for each other.

Waiting that makes you grow up. Saule (15) and Liucija (6) are two sisters living alone, waiting for their parents who have temporarily gone to London in search of work. The biggest responsibility falls on older Saule's shoulders - she must take care of Liucija, look after home while dealing with the usual issues of a teenager's life. With so much on her plate and the huge stress Saule is unable to fit in with her peers. The girls do their best to live on their own and struggle with reality but sometimes being a grown-up is just too hard.

Animated documentary telling the story of director's grandparents who were exiled to Siberia during the Soviet era.

Vulkanovka is a poor village in Crimean steppe, as local people say, forgotten by God and by people. Nonetheless that place came very much alive when famous Lithuanian film director Sharunas Bartas crew stayed here for almost two years filming Seven Invisible Men. Most of local people helped filmmakers a good deal. But the Grand Cinema left and probably won’t come back. So the life of Vulkanovka returned to its usual routine. But it’s not for everyone. Film director Giedre Beinoriute with her crew came to Vulkanovka nine months later. In her documentary people speak about their “cinematographic” experience with great enthusiasm. They tell about how it was and how it was different from their earlier understanding about filmmaking. Different moods and people’s openness in the film are interwoven into daily life of Vulkanovka with its rituals of caws’ feeding, shopping in the only shop “Produkty”, collecting metal and other.

Vulkanovka is a poor village in Crimean steppe, as local people say, forgotten by God and by people. Nonetheless that place came very much alive when famous Lithuanian film director Sharunas Bartas crew stayed here for almost two years filming Seven Invisible Men. Most of local people helped filmmakers a good deal. But the Grand Cinema left and probably won’t come back. So the life of Vulkanovka returned to its usual routine. But it’s not for everyone. Film director Giedre Beinoriute with her crew came to Vulkanovka nine months later. In her documentary people speak about their “cinematographic” experience with great enthusiasm. They tell about how it was and how it was different from their earlier understanding about filmmaking. Different moods and people’s openness in the film are interwoven into daily life of Vulkanovka with its rituals of caws’ feeding, shopping in the only shop “Produkty”, collecting metal and other.

Vulkanovka is a poor village in Crimean steppe, as local people say, forgotten by God and by people. Nonetheless that place came very much alive when famous Lithuanian film director Sharunas Bartas crew stayed here for almost two years filming Seven Invisible Men. Most of local people helped filmmakers a good deal. But the Grand Cinema left and probably won’t come back. So the life of Vulkanovka returned to its usual routine. But it’s not for everyone. Film director Giedre Beinoriute with her crew came to Vulkanovka nine months later. In her documentary people speak about their “cinematographic” experience with great enthusiasm. They tell about how it was and how it was different from their earlier understanding about filmmaking. Different moods and people’s openness in the film are interwoven into daily life of Vulkanovka with its rituals of caws’ feeding, shopping in the only shop “Produkty”, collecting metal and other.

Once a year, a quiet and secluded village in the north-western part of Lithuania comes alive to celebrate Catholic Easter, doing its best to preserve the vanishing ancient tradition of the Guardians of the Cross. With gentle humor observing the preparations of the local community for the vigil and immersing the audience in Easter night, the filmmakers raise questions about the relationship between the sacred and profane in the modern world.

Once a year, a quiet and secluded village in the north-western part of Lithuania comes alive to celebrate Catholic Easter, doing its best to preserve the vanishing ancient tradition of the Guardians of the Cross. With gentle humor observing the preparations of the local community for the vigil and immersing the audience in Easter night, the filmmakers raise questions about the relationship between the sacred and profane in the modern world.

Once a year, a quiet and secluded village in the north-western part of Lithuania comes alive to celebrate Catholic Easter, doing its best to preserve the vanishing ancient tradition of the Guardians of the Cross. With gentle humor observing the preparations of the local community for the vigil and immersing the audience in Easter night, the filmmakers raise questions about the relationship between the sacred and profane in the modern world.