Franjo Kuhar

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

By filming on the actual locations traversed by Marco Polo, the series brings to life the authenticity of the local peoples from the standpoints of ethnology, historiography, culture and economics. We follow the exact route depicted in his book, Il millione, documenting the peoples, customs and cultures along the way to bring into sharp relief the cultural differences within the Asian mainland. Viewers are introduced to their development, becoming familiar with three completely different and, to us, relatively unknown spheres of civilisation and religion - Arabic Islam, Indian Hinduism and Oriental Buddhism. The host takes us through regions and cultures that may seem exotic - and, at times,dreamlike - in our search for the evidence of Marco Polo's passage.

Still today, years after the war, some regions are contaminated with broken families, poverty, crime and low-grade uranium. In the middle of nowhere in Western Herzegovina, at a NATO military training range, a nine-year-old girl called Alica, together with her uncle Valentin, collects shells and scraps of grenades to sell on the black market. Valentin dies of cancer, Alica's diagnosis is not good but there's no money for therapy. Alica's journey through the Land of Wonders begins.

Through both personal and political conflicts, the film tells the story of emperor Diocletian's rise to power and his complicated place in ancient Rome's court politics.