Jean-Marie Buchet

The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure film.

The film records a day in a supermarket in the Brussels region. The story of this day's little events, both comic and touching, provides the general framework of the film. The situations which are conveyed through an accumulation of quick, light touches, highlight some of the ways we behave in connection with food, the repetitive element in our gestures and movements in this everyday, enclosed world which is so familiar. The film is based on the observation of a supermarket and the people who shop or work there. More and more of their various personalities emerge in the course of the day. They all have their importance: we get to know them from the outside, like people in a group photo where each has his own place. All these individuals cross each other's paths, meet each other, bump into each other again and fill in the framework of the film with a many-sided tableau.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.

Marilyn’s shine flickering into your eyes, Marilyn’s mind melting into your mind, Marilyn’s heart beating inside of your chest,…if you so wish. – R.L.Before you start the film please light a candle and after stopping the film, please blow it out. Should the candle accidentally stop burning, do not light it anew: it means that the performance is over.

Pierre lives with his mother in an antiquated house in a run-down working-class area. Every morning, Pierre takes the tram to his job at the town hall, where he listens to his colleagues' jokes over the lunch break. His only hope of banishing his boredom and frustration is a girl from the gymnastics club. One evening, when his mother is out of the house, he decides to invite her into his home [Avila].

An actor pretends to be a writer. He sits in his office, reflects and puts words to paper, which are then performed by Jan Decorte. The text influences the situations shown and vice versa [Avila].

Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.

This short-film depicts the life of a couple with nothing to do and that has no TV, on a sunday afternoon.

Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.

The weekend of August 15th gives the opportunity to Michel Fauvet, a recently divorced father, to spend two full days with Bruno, his thirteen-year-old son, that he can normally see only one Sunday a month. Feeling guilty, he tries to compensate for the trauma inflicted to Bruno by giving him presents. This time around, Michel has decided to treat him to a nice trip to Bruges and the Belgian Coast. Which will not prevent Bruno from asking his father disturbing questions.

Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.

Shots of a car speeding down the road are intercut with kinky sex flashes (a woman with a whip rides a guy, for instance). Then the car crashes into a tree, the male driver (Christian Chaix) is decapitated and the bloody, injured female (Marie-Paule Mailleux) scoops up his head and returns to her home. There, she cleans herself and the head off, prepares dinner for herself and the head, buys the head a Ken Doll to keep it company, puts the head on a mannequin's body and then has a series of strange hallucinations, which include having sex with her bloodied lover, dancing in a room by herself with a spotlight, etc. Things culminate in her having sex with the head and then throwing it into the trash bin.

absurdist short about a wonderful day.

The terrible revenge of a woman who sees the man she desires with another woman...

An actor on screen insults the audience. How will spectators react?

Clairvoyant Medium on the tracks of Jules Vernes steps towards the Center of Earth.

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.

Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.

Short film that shows a day in the life of Monsieur Chose.

Short film with hitchhikers and jazz music by Belgium filmmaker Jean-Marie Buchet.

A man remains dazed and confused after his wife's death. Strange things start happening in his house. The next day the undertaker comes to collect the body.

Recovering all of the intertitles of the Battleship Potemkin, Jean-Marie Buchet substitutes for the images of the film various views that he himself shot and which are unrelated to the initial work, thus joining the technique of diversion widely recommended and applied by the Situationists.

We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)

We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)

Julien and Anty, two young slackers, take seven days to move three trinkets a short distance, exemplifying the strategy of least effort. They sit on a sofa on the sidewalk, waiting for the light to turn green, taking breaks and intermissions. The film humorously mocks these pseudo-intellectuals, who will soon be together in the same bed, drinking the same cans, just two streets away.

Saddam Hussein is alive and well and he lives in Brussels.

Saddam Hussein is alive and well and he lives in Brussels.

The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure film.

David, an American Jewish painter in Brussels for an exhibit, becomes obsessed with Mimi, a mentally ill Belgium woman. As he uncovers the World War II roots of her disturbance, however, he increasingly manifests her symptoms.

On Bernadette's advice, Jacqueline calls Gustave. She wants him to intervene with Jérôme, with whom she no longer wishes to speak. However, Gustave refuses to help her without saying why. She then calls Denise. Denise knows the reason, but she doesn't want to tell her either. Denise does offer to help Jacqueline, though...