Fritz Bornemann

This elaborate two-part television film features a section from the life of communist worker leader Ernst Thälmann. It begins with the bloody riots on May 1, 1929 in Berlin, in which police officers shot at demonstrating workers, and ends with February 7, 1933, when Thälmann appeared as a speaker at the illegal meeting of the Central Committee of the Communist Party of Germany in goat neck. This period was marked by the struggle of the Communists against the ever stronger National Socialists and the rise of Adolf Hitler.

In February of 1918, in Boka Kotorska, the greatest uprising of Austrian sailors broke out. Forty warships, with 6.000 sailors, rebelled against the Austrian Monarchy. The uprising was bloodily crushed after two days, and it's leaders shot.

During a training flight, the experienced MiG fighter pilot Major Klaus Kornhod almost crashes. An investigation into the incident reveals that Kornhold is no longer allowed to fly MiGs for health reasons. A heavy blow for the passionate aviator, who had been in the service for 15 years. He decides to start retraining as a helicopter pilot.

Ernst Triebel, a young doctor from the GDR, meets his childhood sweetheart, whom he thought was dead, on the last day of his stay in Santos. During the crossing to Europe, he tells engineer Franz Hammer his love story with the girl he now believes he has seen again.

Ernst Triebel, a young doctor from the GDR, meets his childhood sweetheart, whom he thought was dead, on the last day of his stay in Santos. During the crossing to Europe, he tells engineer Franz Hammer his love story with the girl he now believes he has seen again.

Aging Knights of the Round Table confront a fading realm as moral decay and disillusionment spread. King Arthur doubts the Grail quest; Gawain and Lancelot return unchanged or failed. Parzival, now a chronicler, refuses to revive past glories. Meanwhile Arthur’s heir Mordret rejects knighthood and the Grail’s existence…

Based on a one act play in five scenes by Wolfgang Borchert, "Draußen vor der Tür" depicts the return of a former German soldier from the Eastern Front, to post-WWII Germany and the sobering realities of de-nazification and "peacetime."

Based on a one act play in five scenes by Wolfgang Borchert, "Draußen vor der Tür" depicts the return of a former German soldier from the Eastern Front, to post-WWII Germany and the sobering realities of de-nazification and "peacetime."