Pierre Haudebourg

At an institute in Manila, researchers and eco-tourists trade stories about the Mara tribe, who live on a remote island and have an annual festival of rebirth in which some of the tribe forget who they are and begin again. Laure is the daughter of the institute's director; she's a free spirit who has captured the fancy of Nicola, a European photographer. After a courtship in which the voyeuristic Nick indulges Laure's exhibitionism and sexual freedom, they set off for Mara land with Gualtier, an anthropologist, and his philosophical lover, Myrte. As they approach the Mara on the night of rebirth, who of the group will actually join the tribe to begin life anew?

A young woman archaeologist searches for the wreck of a sunken boat during the 2nd World War to save the honor of her grandfather, a former sailor, accused of having hijacked the cargo of art objects he was loaded convoy to Algeria and embarked on a treasure hunt.

In this sardonic comedy, after an executive is killed in a mysterious automobile accident, the French offices of his multinational company is inundated with mysteriously threatening be-ribboned anti-capitalist tracts, delivered overnight to everyone's desks. Later, the executive's body is brought to company offices for an official wake -- only no one at the company has ordered that such a thing be done. A mysterious prankster, who is able to imitate the voice of the company's president, has arranged these things. When Americans from the head office get wind of these developments, they institute a search for the perpetrator which leads to mysterious subterranean passages under the company's skyscraper.

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

A modern remake of Renoir's classic film. Aix-en-Provence, a spring night. Christian Lespinglet, an over-indebted gallery owner, rescues a homeless man, Boudu, from the waters of a canal who was trying to drown himself. Heroic to his detriment, he brings him home, for a few hours only... The incongruous arrival of Boudu will act like a mad dog in the game of skittles that is Christian's life...