Stig Lommer

Like all other fairy tales, this one begins with: Once upon a time. Once upon a time, there were two friends, one was an actor in Copenhagen, the other in Oslo. The one in Copenhagen was called Osvald, and one day he was very angry. He stood in front of his director and told him what he thought of him in general and the tasks he was given at his theater in particular. So Osvald left. By a twist of fate, something similar happened in Oslo. Einar felt that his director did not take him into consideration, so he also left. Now the two meet in Copenhagen, and they experience an adventurous evening together, spiced with several well-known revue numbers.

The small, diligent chorus girl Dolly Hansen is engaged at one of the city's big revue theaters, and one evening she has to step in and double for the prima donna who has called in sick. She is successful, and this gives her the courage to ask the director for a small salary increase. However, this is taken very unkindly, and such a heated discussion arises between them that the young girl suddenly finds herself in the street, fired on grey paper. But Dolly is not the type to give up. Untraditional self-centeredness soon creates a lot of attention around her.

Theatre painter Harry Gelinde and his wife, Klara, are happy with each other and their children, Vippe, Kalle, Sutte, Nisse, Bolle and Finne. Gelinde is a carefree artist. He knows he is no Rembrandt, but he loves art in his own quiet way - and he does not compromise. When Klara is invited on a trip by her friends, Harry takes on the responsibility of all the children. They turn their home into an Indian camp - and enjoy it to the fullest. At the same time, it is a wonderful break for Gelinde, who has a dispute with the director at the theatre.

According to several old writings, Cocktail means something like mixed - and mixed is probably what you could call "Dana's" first revue production. It is a mix of everything that was good and better in the summer's two big revue successes, and as an extra little splash of fruit juice at the bottom of the shaker, a single thing has been taken from "Circus Revue".

The film could just as well have been called "Where there is room in the heart, there is also room in the house," because it is actually about an old, seasoned people person's solution to the housing problem. He solves it in his own – admittedly unusual – way, but he solves it! Had he been a little more discreet, his invention would never have been discovered – and he could have lived the rest of his life carefree. But this experienced judge of character – whom we call "the Professor" – had one major flaw: his overly big heart for the small and unfortunate members of society in general and the homeless in particular. It is this unfortunate heart that sets the film in motion and accelerates the events.

The film could just as well have been called "Where there is room in the heart, there is also room in the house," because it is actually about an old, seasoned people person's solution to the housing problem. He solves it in his own – admittedly unusual – way, but he solves it! Had he been a little more discreet, his invention would never have been discovered – and he could have lived the rest of his life carefree. But this experienced judge of character – whom we call "the Professor" – had one major flaw: his overly big heart for the small and unfortunate members of society in general and the homeless in particular. It is this unfortunate heart that sets the film in motion and accelerates the events.

Once upon a time, large, beautiful seaside hotels adorned the coast of Øresund – from Bellevue Strandhotel in the south to Hornbæk Badehotel in the north. While the film's director, Stig Lommer, was director of the Hornbæk revues, he was a frequent guest at the bars in these hotels. He loved the glamorous life in this setting and asked Arvid Müller to write a light-hearted "Sommer-Lommer-Spøg" (Summer Joke) about the "deeds of the night" at a seaside hotel. The now defunct Beaulieu (north of Taarbæk) and Marienlyst (in Helsingør) form the backdrop for bandleader Hans Herbert and his pursuit of summer guest Mrs. Winter. This drives the exchange broker to a spontaneous suicide attempt in the middle of a mannequin show. However, he is saved by Mrs. Holgersen, who believes it is for her sake, so she blossoms completely. So much so that she is completely unrecognizable to the manufacturer when he arrives at the hotel.

Grete Hansen is looking for work at "Morgenbladet". Here she meets the womanizer Vilmer, who wants Grete to meet him on her first night out on the town, and Bob, a young man who plays private detective. When Bob reads that there are a number of counterfeit 100 kroner notes in circulation, Bob and Grete decide to catch the thief. First they break into the home of a policeman whom they suspect of being a counterfeiter. Later they play servants at the home of another suspect. Then Grete discovers something suspicious about Vilmer - she follows him to a spooky house.