Debaki Bose

In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.

Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.

The legend of Prince Puran, born under King Silwan of Sialkot's curse which binds his parents never to set eyes on him until he is 16. Accused of leading a debauched life by an evil general and by the king's second wife, Puran is sentenced to death. Rescued by the mystic Gorakhnath, he becomes an ascetic. When the king is overthrown, Purna rises from his meditations to depose the general who has seized power, before returning to his life of renunciation.

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.

The story of a relationship between a wealthy widow and a frivolous young girl.

Seeta was a 1933 Indian talkie Bengali film, directed by Debaki Bose and produced by the East India Film Company.[1] It won an honorary diploma in the 2nd Venice International Film Festival in 1934, becoming the first Indian talkie to be shown at an international film festival.

The story of a relationship between a wealthy widow and a frivolous young girl.

This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.

The story of Shri Chaitanya Mahaprabhu .

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.

This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.

Adapted from a story by Kazi Nazrul Islam this film concerns love and revenge among a tribe of snake charmers led by Jahar (Nawab) who is searching for his 100th poisonous snake so as to show how he can magically cure its deadly bite.

Adapted from a story by Kazi Nazrul Islam this film concerns love and revenge among a tribe of snake charmers led by Jahar (Nawab) who is searching for his 100th poisonous snake so as to show how he can magically cure its deadly bite.

The story revolves around a group of hardened bachelors who meet regularly, and eventually settle for marriage. Purna is a newcomer to the group of bachelors at Professor Chandra Basu's house. Also attending are three other bachelors Akshay, Bipin, and Shirish. Akshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor's daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally, the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.

The story revolves around Basanthi who is constantly criticized by her in-laws for being childless. Her husband believes that she is having an affair with his sister's husband and plans to kill her.

The story revolves around a group of hardened bachelors who meet regularly, and eventually settle for marriage. Purna is a newcomer to the group of bachelors at Professor Chandra Basu's house. Also attending are three other bachelors Akshay, Bipin, and Shirish. Akshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor's daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally, the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.

The story revolves around Basanthi who is constantly criticized by her in-laws for being childless. Her husband believes that she is having an affair with his sister's husband and plans to kill her.

Roop Kumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest. The cast listed here is for the Hindi version, there is also a Bengali version with a different cast, but same director and release year.

A railway porter, Nitai, gains a reputation as a poet after participating in many debates. However, his life is filled with tragedy when he gets involved with women he is not supposed to be with.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.

Apna Ghar tells the story of a middle-class family whose peace is shattered when the father, Narendra, is falsely accused of fraud, forcing him to lose everything. His strong-willed daughter, Mira, becomes unwittingly entangled in the deception. The family's struggles are further complicated by the return of Jeevan, an ex-convict, whose past brings societal judgment. The film explores their fight to maintain their home's integrity and the true meaning of family amidst adversity.

A mythological or fantasy drama inspired by Kalidasa's classic Sanskrit poem, featuring a lonely lover sending a cloud as a messenger to his beloved, exploring themes of separation, longing, and nature's role in conveying emotions

Set in two historical epochs, 1735 and 1735. The spirited Miss Queen (Khote), performing in a period play, recalls a previous incarnation when she was the actual person she is now acting on the stage. She inherited the throne because the state of Ranigarh had no constitutional male heirs and her horoscope was deemed auspicious. Instead of being merely a figurehead, she opposes the corrupt minister Jairaj and army commander Mubarak and, following the advice of the court poet (Pahelwan), she makes sure the royal court is accessible to the suffering people.

Set in two historical epochs, 1735 and 1735. The spirited Miss Queen (Khote), performing in a period play, recalls a previous incarnation when she was the actual person she is now acting on the stage. She inherited the throne because the state of Ranigarh had no constitutional male heirs and her horoscope was deemed auspicious. Instead of being merely a figurehead, she opposes the corrupt minister Jairaj and army commander Mubarak and, following the advice of the court poet (Pahelwan), she makes sure the royal court is accessible to the suffering people.

An early Indian romantic musical drama, likely following a "caravan of beauty" and exploring themes of love and allure.

A parable about human suffering and capitalist enterprise. The village head man has bandits attack the house of Ramesh to settle a feud. They kidnap the man's wife Roma, and abandon their infant son in the forest. Years later, Roma works as the nurse of a kind millionaire while the boy Raghunath shares a neighbourhood house with other unemployed youths who collectively dream of starting a soap factory. The father is a beggar on the streets. None of them know of each other's existence until circumstances bring the family together...

A parable about human suffering and capitalist enterprise. The village head man has bandits attack the house of Ramesh to settle a feud. They kidnap the man's wife Roma, and abandon their infant son in the forest. Years later, Roma works as the nurse of a kind millionaire while the boy Raghunath shares a neighbourhood house with other unemployed youths who collectively dream of starting a soap factory. The father is a beggar on the streets. None of them know of each other's existence until circumstances bring the family together...